Hi Folks here’s something to dwell over‘The spiral that never vanished’
I was interested to read about the project at Castlerigg stone circle Cumbria and read with interest the abstract ‘The spiral that vanished’ JAS 2006.The spiral had originally been captured and photographed by Neil Stephenson in 1995 and was of course the focus of our attention.Barbara and I were on site when Stan Beckensall recorded the motif using his customary wax rubbing technique and I can confirm that the motif was clearly detectable through the rubbing paper since I made a similar wax rubbing of the spiral too.Prior to Stan’s recording of the spiral for inclusion in his book The Prehistoric Rock art of Cumbria’ duly published by Tempus in 2002‘ Barbara and I had conducted a photographic survey of all the rocks within the circle In our research at Castlerigg in late Autumn 1999…
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is the English translation of an original codex of esoteric literature by the “Mad Arab” Abdul Jafari Alhazred, known as the Kitab al-Azif, an Arabic word defined as “that nocturnal sound (made by insects) supposed to be the howling of demons.” From:`Azīf (عزيف) as “whistling (of the wind); weird sound or noise”, where the tradition of `azif al jinn (عزيف الجن) is linked to the phenomenon of “singing sand“, the sound of the shifting dunes of the desert that was believed to represent the sound made by the spirits of the underworld when manifested in underground places of the deep.
The first copy to be recovered by Archaeologist Joachim Agard, later to become the Sufi mystic Ikim Agár, was one of the older versions written in Latin, translated from the Greek, itself translated from the original…
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“I’m glad you came,” said Chalmers. He was sitting by the window and his face was very pale. Two tall candles guttered at his elbow and cast a sickly amber light over his long nose and slightly receding chin. Chalmers would have nothing modern about his apartment. He had the soul of a mediæval ascetic, and he preferred illuminated manuscripts to automobiles, and leering stone gargoyles to radios and adding–machines.
As I crossed the room to the settee he had cleared for me I glanced at his desk and was surprised to discover that he had been studying the mathematical formulae of a celebrated contemporary physicist, and that he had covered many sheets of thin yellow paper with curious geometric designs.
“Einstein and John Dee are strange bedfellows,” I said as my gaze wandered from his mathematical charts to the sixty or seventy quaint books that comprised his strange little library. Plotinus and Emanuel Moscopulus, St. Thomas Aquinas and Frenicle de Bessy stood elbow to elbow in the somber ebony bookcase, and chairs, table and desk were littered with pamphlets about mediæval sorcery and witchcraft and black magic, and all of the valiant glamorous things that the modern world has repudiated.
Chalmers smiled engagingly, and passed me a Russian cigarette on a curiously carved tray. “We are just discovering now,” he said, “that the old alchemists and sorcerers were two–thirds right, and that your modern biologist and materialist is nine–tenths wrong.”
“You have always scoffed at modern science.” I said, a little impatiently.
“Only at scientific dogmatism,” he replied. “I have always been a rebel, a champion of originality and lost causes; that is why I have chosen to repudiate the conclusions of contemporary biologists.”
“And Einstein?” I asked.
“A priest of transcendental mathematics” he murmured reverently. “A profound mystic and explorer of the great suspected.”
“Then you do not entirely despise science.”
“Of course not.” he affirmed. “I merely distrust the scientific positivism of the past fifty years, the positivism of Haeckel and Darwin and of Mr. Bertrand Russell. I believe that biology has failed pitifully to explain the mystery of man’s origin and destiny.”
“Give them time.” I retorted.
Chalmers’ eyes glowed. “My friend.” he murmured, “your pun is sublime. Give them time. That is precisely what I would do. But your modern biologist scoffs at time. He has the key but he refuses to use it. What do we know of time, really? Einstein believes that it is relative, that it can be interpreted in terms of space, of curved space. But must we stop there? When mathematics fails us can we not advance by—insight?”
“You are treading on dangerous ground,” I replied. “That is a pitfall that your true investigator avoids That is why modern science has advanced so slowly. It accepts nothing that it cannot demonstrate. But you—”
“I would take hashish, opium, all manner of drugs I would emulate the sages of the East. And then perhaps I would apprehend—”
“The fourth dimension.”
“Perhaps. But I believe that drugs expand human consciousness. William James agreed with me. And I have discovered a new one.”
“A new drug?”
“It was used centuries ago by Chinese alchemists, but it is virtually unknown in the West. Its occult properties are amazing. With its aid and the aid of my mathematical knowledge I believe that I can go back through time.”
“I do not understand.”
“Time is merely our imperfect perception of a new dimension of space. Time and motion are both illusions. Everything that has existed from the beginning of the world exists now. Events that occurred centuries ago on this planet continue to exist in another dimension of space. Events that will occur centuries from now exist already. We cannot perceive their existence because we cannot enter the dimension of space that contains them. Human beings as we know them are merely fractions, infinitesimally small fractions of one enormous whole. Every human being is linked with all the life that has preceded him on this planet. All of his ancestors are parts of him. Only time separates him from his forebears, and time is an illusion and does not exist.”
“I think I understand,” I murmured.
“It will be sufficient for my purpose if you can form a vague idea of what I wish to achieve. I wish to strip from my eyes the veils of illusion that time has thrown over them, and see the beginning and the end.”
“And you think this new drug will help you?”
“I am sure that it will. And I want you to help me. I intend to take the drug immediately. I cannot wait. I must see.” His eyes glittered strangely. “I am going back, back through time.”
He rose and strode to the mantel. When he faced me again he was holding a small square box in the palm of his hand. “I have here five pellets of the drug Liao. It was used by the Chinese philosopher Lao Tze, and while under its influence he visioned Tao. Tao is the most mysterious force in the world; it surrounds and pervades all things; it contains the visible universe and everything that we call reality. He who apprehends the mysteries of Tao sees clearly all that was and will be.”
“Rubbish!” I retorted.
“Tao resembles a great animal, recumbent, motionless, containing in its enormous body all the worlds of our universe, the past, the present and the future. We see portions of this great monster through a slit, which we call time. With the aid of this drug I shall enlarge the slit. I shall behold the great figure of life, the great recumbent beast in its entirety.”
“And what do you wish me to do?”
“Watch, my friend. Watch and take notes. And if I go back too far you must recall me to reality. You can recall me by shaking me violently. If I appear to be suffering acute physical pain you must recall me at once.”
“Chalmers.” I said. “I wish you wouldn’t make this experiment. You are taking dreadful risks. I don’t believe that there is any fourth dimension and I emphatically do not believe in Tao. And I don’t approve of your experimenting with unknown drugs.”
“I know the properties of this drug.” he replied. “I know precisely how it affects the human animal and I know its dangers. The risk does not reside in the drug itself My only fear is that I may become lost in time. You see, I shall assist the drug. Before I swallow this pellet I shall give my undivided attention to the geometric and algebraic symbols that I have traced on this paper.” He raised the mathematical chart that rested on his knee. “I shall prepare my mind for an excursion into time. I shall approach the fourth dimension with my conscious mind before I take the drug which will enable me to exercise occult powers of perception. Before I enter the dream world of the Eastern mystics I shall acquire all of the mathematical help that modern science can offer. This mathematical knowledge, this conscious approach to an actual apprehension of the fourth dimension of time, will supplement the work of the drug. The drug will open up stupendous new vistas—the mathematical preparation will enable me to grasp them intellectually. I have often grasped the fourth dimension in dreams, emotionally, intuitively, but I have never been able to recall, in waking life, the occult splendours that were momentarily revealed to me.
“But with your aid, I believe that I can recall them. You will take down everything that I say under the influence of the drug. No matter how strange or incoherent my speech may become you will omit nothing. When I awake I may be able to supply the key to whatever is mysterious or incredible. I am not sure that I shall succeed, but if I do succeed”—his eyes were strangely luminous—“time will exist for me no longer!”
He sat down abruptly. “I shall make the experiment at once. Please stand over there by the window and watch. Have you a fountain pen?”
I nodded gloomily and removed a pale green Waterman from my upper vest pocket.
“And a pad, Frank?”
I groaned and produced a memorandum book. “I emphatically disapprove of this experiment,” I muttered. “You’re taking a frightful risk.”
“Don’t be an asinine old woman!” he admonished. “Nothing that you can say will induce me to stop now. I entreat you to remain silent while I study these charts.”
He raised the charts and studied them intently. I watched the clock on the mantel as it ticked out the seconds, and a curious dread clutched at my heart so that I choked.
Suddenly the clock stopped ticking, and exactly at that moment Chalmers swallowed the drug.
I rose quickly and moved toward him, but his eyes implored me not to interfere. “The clock has stopped.” he murmured. “The forces that control it approve of my experiment. Time stopped, and I swallowed the drug. I pray God that I shall not lose my way.”
He closed his eyes and leaned back on the sofa. All of the blood had left his face and he was breathing heavily. It was clear that the drug was acting with extraordinary rapidity.
“It is beginning to get dark,” he murmured. “Write that. It is beginning to get dark and the familiar objects in the room are fading out. I can discern them vaguely through my eyelids, but they are fading swiftly.”
I shook my pen to make the ink come and wrote rapidly in shorthand as he continued to dictate.
“I am leaving the room. The walls are vanishing and I can no longer see any of the familiar objects. Your face, though, is still visible to me. I hope that you are writing. I think that I am about to make a great leap—a leap through space. Or perhaps it is through time that I shall make the leap. I cannot tell. Everything is dark, indistinct.”
He sat for a while silent, with his head sunk upon his breast. Then suddenly he stiffened and his eyelids fluttered open. “God in heaven!” he cried. “I see!”
He was straining forward in his chair, staring at the opposite wall But I knew that he was looking beyond the wall and that the objects in the room no longer existed for him. “Chalmers,” I cried, “Chalmers, shall I wake you?”
“Do not!” he shrieked. “I see everything. All of the billions of lives that preceeded me on this planet are before me at this moment. I see men of all ages, all races, all colors. They are fighting, killing, building, dancing, singing. They are sitting about rude fires on lonely gray deserts, and flying through the air in monoplanes. They are riding the seas in bark canoes and enormous steamships; they are painting bison and mammoths on the walls of dismal caves and covering huge canvases with queer futuristic designs. I watch the migrations from Atlantis. I watch the migrations from Lemuria. I see the elder races—a strange horde of black dwarfs overwhelming Asia, and the Neandertalers with lowered heads and bent knees ranging obscenely across Europe. I watch the Achæans streaming into the Greek islands, and the crude beginnings of Hellenic culture. I am in Athens and Pericles is young. I am standing on the soil of Italy. I assist in the rape of the Sabines; I march with the Imperial Legions. I tremble with awe and wonder as the enormous standards go by and the ground shakes with the tread of the victorious hastati. A thousand naked slaves grovel before me as I pass in a litter of gold and ivory drawn by night–black oxen from Thebes, and the flower–girls scream ‘Ave Caesar’ as I nod and smile. I am myself a slave on a Moorish galley. I watch the erection of a great cathedral. Stone by stone it rises, and through months and years I stand and watch each stone as it falls into place. I am burned on a cross head downward in the thyme–scented gardens of Nero, and I watch with amusement and scorn the torturers at work in the chambers of the Inquisition.
“I walk in the holiest sanctuaries; I enter the temples of Venus. I kneel in adoration before the Magna Mater, and I throw coins on the bare knees of the sacred courtesans who sit with veiled faces in the groves of Babylon. I creep into an Elizabethan theater and with the stinking rabble about me I applaud The Merchant of Venice. I walk with Dante through the narrow streets of Florence. I meet the young Beatrice, and the hem of her garment brushes my sandals as I stare enraptured. I am a priest of Isis, and my magic astounds the nations. Simon Magus kneels before me, imploring my assistance, and Pharaoh trembles when I approach. In India I talk with the Masters and run screaming from their presence, for their revelations are as salt on wounds that bleed.
“I perceive everything simultaneously. I perceive everything from all sides; I am a part of all the teeming billions about me. I exist in all men and all men exist in me. I perceive the whole of human history in a single instant, the past and the present.
“By simply straining I can see farther and farther back. Now I am going back through strange curves and angles. Angles and curves multiply about me. I perceive great segments of time through curves. There is curved time, and angular time. The beings that exist in angular time cannot enter curved time. It is very strange.
“I am going back and back. Man has disappeared from the earth. Gigantic reptiles crouch beneath enormous palms and swim through the loathly black waters of dismal lakes. Now the reptiles have disappeared. No animals remain upon the land, but beneath the waters, plainly visible to me, dark forms move slowly over the rotting vegetation.
“The forms are becoming simpler and simpler. Now they are single cells. All about me there are angles—strange angles that have no counterparts on the earth. I am desperately afraid.
“There is an abyss of being which man has never fathomed.”
I stared. Chalmers had risen to his feet and he was gesticulating helplessly with his arms. “I am passing through unearthly angles; I am approaching—oh, the burning horror of it.”
“Chalmers!” I cried. “Do you wish me to interfere?”
He brought his right hand quickly before his face, as though to shut out a vision unspeakable. “Not yet!” he cried “I will go on. I will see—what—lies—beyond—”
A cold sweat streamed from his forehead and his shoulders jerked spasmodically. “Beyond life there are”—his face grew ashen with terror—”things that I cannot distinguish. They move slowly through angles. They have no bodies, and they move slowly through outrageous angles.”
It was then that I became aware of the odor in the room. It was a pungent, indescribable odor, so nauseous that I could scarcely endure it. I stepped quickly to the window and threw it open. When I returned to Chalmers and looked into his eyes I nearly fainted.
“I think they have scented me!” he shrieked. “They are slowly turning toward me.”
He was trembling horribly. For a moment he clawed at the air with his hands. Then his legs gave way beneath him and he fell forward on his face, slobbering and moaning.
I watched him in silence as he dragged himself across the floor. He was no longer a man. His teeth were bared and saliva dripped from the corners of his mouth.
“Chalmers.” I cried “Chalmers, stop it! Stop it. do you hear?”
As if in reply to my appeal he commenced to utter hoarse convulsive sounds which resembled nothing so much as the barking of a dog. and began a sort of hideous writhing in a circle about the room. I bent and seized him by the shoulders. Violently, desperately, I shook him. He turned his head and snapped at my wrist. I was sick with horror, but I dared not release him for fear that he would destroy himself in a paroxysm of rage.
“Chalmers,” I muttered, “you must stop that. There is nothing in this room that can harm you. Do you understand?”
I continued to shake and admonish him, and gradually the madness died out of his face. Shivering convulsively, he crumpled into a grotesque heap on the Chinese rug.
I carried him to the sofa and deposited him upon it. His features were twisted in pain, and I knew that he was still struggling dumbly to escape from abominable memories.
“Whisky,” he muttered. “You’ll find a flask in the cabinet by the window—upper left–hand drawer.”
When I handed him the flask his fingers tightened about it until the knuckles showed blue. “They nearly got me,” he gasped. He drained the stimulant in immoderate gulps, and gradually the color crept back into his face.
“That drug was the very devil!” I murmured.
“It wasn’t the drug.” he moaned.
His eyes no longer glared insanely, but he still wore the look of a lost soul.
“They scented me in time.” he moaned. “I went too far.”
“What were they like?” I said, to humor him.
He leaned forward and gripped my arm. He was shivering horribly. “No words in our language can describe them!” He spoke in a hoarse whisper. “They are symbolized vaguely in the myth of the Fall, and in an obscene form which is occasionally found engraved on ancient tablets. The Greeks had a name for them, which veiled their essential foulness. The tree, the snake and the apple—these are the vague symbols of a most awful mystery.
His voice had risen to a scream. “Frank, Frank, a terrible and unspeakable deed was done in the beginning. Before time, the deed, and from the deed—”
He had risen and was hysterically pacing the room. “The seeds of the deed move through angles in dim recesses of time. They are hungry and athirst!”
“Chalmers.” I pleaded to quiet him. “We are living in the third decade of the Twentieth Century.”
“They are lean and athirst!” he shrieked. “The Hounds of Tindalos!”
“Chalmers, shall I phone for a physician”
“A physician cannot help me now They are horrors of the soul, and yet”—he hid his face in his hands and groaned—”they are real, Frank. I saw them for a ghastly moment. For a moment I stood on the other side. I stood on the pale gray shores beyond time and space. In an awful light that was not light, in a silence that shrieked, I saw them.
“All the evil in the universe was concentrated in their lean, hungry bodies. Or had they bodies? I saw them only for a moment; I cannot be certain. But I heard them breathe. Indescribably for a moment I felt their breath upon my face. They turned toward me and I fled screaming. In a single moment I fled screaming through time. I fled down quintillions of years.
“But they scented me. Men awake in them cosmic hungers. We have escaped, momentarily, from the foulness that rings them round. They thirst for that in us which is clean, which emerged from the deed without stain. There is a part of us which did not partake in the deed, and that they hate. But do not imagine that they are literally, prosaically evil. They are beyond good and evil as we know it. They are that which in the beginning fell away from cleanliness. Through the deed they became bodies of death, receptacles of all foulness. But they are not evil in our sense because in the spheres through which they move there is no thought, no morals, no right or wrong as we understand it. There is merely the pure and the foul. The foul expresses itself through angles: the pure through curves. Man. the pure part of him, is descended from a curve. Do not laugh. I mean that literally.”
I rose and searched for my hat. “I’m dreadfully sorry for you, Chalmers,” I said, as I walked toward the door. “But I don’t intend to stay and listen to such gibberish. I’ll send my physician to see you. He’s an elderly, kindly chap and he won’t be offended if you tell him to go to the devil. But I hope you’ll respect his advice. A week’s rest in a good sanitarium should benefit you immeasurably.”
I heard him laughing as I descended the stairs, but his laughter was so utterly mirthless that it moved me to tears.
When Chalmers phoned the following morning my first impulse was to hang up the receiver immediately. His request was so unusual and his voice was so wildly hysterical that I feared any further association with him would result in the impairment of my own sanity. But I could not doubt the genuineness of his misery, and when he broke down completely and I heard him sobbing over the wire I decided to comply with his request.
“Very well,” I said. “I will come over immediately and bring the plaster.”
En route to Chalmers’ home I stopped at a hardware store and purchased twenty pounds of plaster of Paris. When I entered my friend’s room he was crouching by the window watching the opposite wall out of eyes that were feverish with fright. When he saw me he rose and seized the parcel containing the plaster with an avidity that amazed and horrified me. He had extruded all of the furniture and the room presented a desolate appearance.
“It is just conceivable that we can thwart them!” he exclaimed, “But we must work rapidly. Frank, there is a stepladder in the hall. Bring it here immediately. And then fetch a pail of water.”
“What for?” I murmured.
He turned sharply and there was a Rush on his face. “To mix the plaster, you fool!” he cried. “To mix the plaster that will save our bodies and souls from a contamination unmentionable. To mix the plaster that will save the world from—Frank, they must be kept out!”
“Who?” I murmured.
“The Hounds of Tindalos!” he muttered. “They can only reach us through angles. We must eliminate all angles from this room. I shall plaster up all of the corners, all of the crevices. We must make this room resemble the interior of a sphere.”
I knew that it would have been useless to argue with him. I fetched the stepladder, Chalmers mixed the plaster, and for three hours we labored. We filled in the four corners of the wall and the intersections of the floor and wall and the wall and ceiling, and we rounded the sharp angles of the window–seat.
“I shall remain in this room until they return in time,” he affirmed when our task was completed. “When they discover that the scent leads through curves they will return. They will return ravenous and snarling and unsatisfied to the foulness that was in the beginning, before time, beyond space.”
He nodded graciously and lit a cigarette. “It was good of you to help.” he said.
“Will you not see a physician. Chalmers?” I pleaded.
“Perhaps—tomorrow,” he murmured. “But now I must watch and wait.”
“Wait for what?” I urged.
Chalmers smiled wanly “I know that you think me insane,” he said. “You have a shrewd but prosaic mind, and you cannot conceive of an entity that does not depend for its existence on force and matter. But did it ever occur to you, my friend, that force and matter are merely the barriers to perception imposed by time and space? When one knows, as I do, that time and space are identical and that they are both deceptive because they are merely imperfect manifestations of a higher reality, one no longer seeks in the visible world for an explanation of the mystery and terror of being.”
I rose and walked toward the door.
“Forgive me.” he cried. “I did not mean to offend you. You have a superlative intellect, but I—I have a superhuman one. It is only natural that I should be aware of your limitations.”
“Phone if you need me,” I said, and descended the stairs two steps at a time. “I’ll send my physician over at once,”‘ I muttered, to myself. “He’s a hopeless maniac, and heaven knows what will happen if someone doesn’t take charge of him immediately.”
THE following is a condensation of two announcements which appeared in the Partridgeville Gazette for July 5, 1928:
At 2 o’clock this morning an earth tremor of unusual severity broke several plate–glass windows in Central Square and completely disorganized the electric and street railway systems. The tremor was felt in the outlying districts and the steeple of the First Baptist Church on Angell Hill (designed by Christopher Wren in 1717) was entirely demolished. Firemen are now attempting to put out a blaze which threatens to destroy the Partridgeville Glue Works. An investigation is promised by the mayor and an immediate attempt will be made to fix responsibility for this disastrous occurrence.
Horrible Crime in Central Square
Mystery Surrounds Death of Halpin Chalmers
At 9 a. m. today the body of Halpin Chalmers, author and journalist, was found in an empty room above the jewelry store of Smithwick and Isaacs, 24 Central Square. The coroner’s investigation revealed that the room had been rented furnished to Mr. Chalmers on May 1, and that he had himself disposed of the furniture a fortnight ago. Chalmers was the author of several recondite books on occult themes, and a member of the Bibliographic Guild. He formerly resided in Brooklyn, New York.
At 7 a. m. Mr. L. E. Hancock, who occupies the apartment opposite Chalmers’ room in the Smithwick and Isaacs establishment, smelt a peculiar odor when he opened his door to take in his cat and the morning edition of the Partridgeville Gazette. The odor he describes as extremely acrid and nauseous, and he affirms that it was so strong in the vicinity of Chalmers’ room that he was obliged to hold his nose when he approached that section of the hall.
He was about to return to his own apartment when it occurred to him that Chalmers might have accidentally forgotten to turn off the gas in his kitchenette. Becoming considerable, alarmed at the thought, he decided to investigate, and when repeated tappings on Chalmers’ door brought no response he notified the superintendent. The latter opened the door by means of a pass key, and the two men quickly made their way into Chalmers room. The room was utterly destitute of furniture, and Hancock asserts that when he first glanced at the floor his heart went cold within him, and that the superintendent. without saying a word, walked to the open window and stared at the building opposite for fully five minutes.
Chalmers lay stretched upon his back in the center of the room. He was starkly nude, and his chest and arms were covered with a peculiar bluish pus or ichor. His head lay grotesquely upon his chest. It had been completely severed from his body, and the features were twisted and torn and horribly mangled. Nowhere was there a trace of blood.
The room presented a most astonishing appearance. The intersections of the walls, ceiling and floor had been thickly smeared with plaster of Paris, but at intervals fragments had cracked and fallen off, and someone had grouped these upon the floor about the murdered man so as to form a perfect triangle.
Beside the body were several sheets of charred yellow paper. These bore fantastic geometric designs and symbols and several hastily scrawled sentences. The sentences were almost illegible and so absurd in content that they furnished no possible clue to the perpetrator of the crime. “I am waiting and watching,” Chalmers wrote. “I sit by the window and watch walls and ceiling. I do not believe they can reach me. but I must beware of the Doels. Perhaps they can help them break through. The satyrs will help, and they can advance through the scarlet circles. The Greeks knew a way of preventing that. It is a great pity that we have forgotten so much.”
On another sheet of paper, the most badly charred of the seven or eight fragments found by Detective Sergeant Douglas (of the Partridgeville Reserve), was scrawled the following:
“Good God, the plaster is falling! A terrific shock has loosened the plaster and it is falling. An earthquake perhaps! I never could have anticipated this. It is growing dark in the room. I must phone Frank. But can he get here in time? I will try. I will recite the Einstein formula. I will—God. they are breaking through! They are breaking through! Smoke is pouring from the coiners of the wall. Their tongues—ahhhhh—”
In the opinion of Detective Sergeant Douglas. Chalmers was poisoned by some obscure chemical. He has sent specimens of the strange blue slime found on Chalmers’ body to the Partridgeville Chemical Laboratories; and he expects the report will shed new light on one of the most mysterious crimes of recent years. That Chalmers entertained a guest on the evening preceding the earthquake is certain, for his neighbor distinctly heard a low murmur of conversation in the former’s room as he passed it on his way to the stairs. Suspicion points strongly to this unknown visitor and the police are diligently endeavoring to discover his identity.
Report of James Morton, chemist and bacteriologist:
My dear Mr. Douglas:
The fluid sent to me for analysis is the most peculiar that I have ever examined. It resembles living protoplasm, but it lacks the peculiar substances known as enzymes. Enzymes Catalyze the chemical reactions occurring in living ceils, and when the cell dies they cause it to disintegrate by hydrolyzation. Without enzymes protoplasm should possess enduring vitality, i.e. immortality. Enzymes are the negative components, so to speak, of unicellular organism, which is the basis of all life. That living matter can exist without enzymes biologists emphatically deny. And yet the substance that you have sent me is alive and it lacks these “indispensable” bodies. Good God, sir, do you realize what astounding new vistas this opens up?
Excerpt from The Secret Watchers by the late Halpin Chalmers:
What if, parallel to the life we know, there is another life that does not die, which lacks the elements that destroy our life? Perhaps in another dimension there is a different force from that which generates our life. Perhaps this force emits energy, or something similar to energy, which passes from the unknown dimension where it is and creates a new form of cell life in our dimension. No one knows that such new cell life does exist in our dimension. Ah, but I have seen its manifestations. I have talked with them. In my room at night I have talked with the Doels. And in dreams I have seen their maker. I have stood on the dim shore beyond time and matter and seen it. It moves through strange curves and outrageous angles. Someday I shall travel in time and meet it face to face.
A True and Faithful Relation
In 1659, Meuric Casaubon, Doctor of Divinity published a book that purported to confirm the reality of spirits as well as show the several good uses a sober Christian could make of all of this. The book was sold at the Little North Door of the Cathedral of St Paul in London.
Casaubon had taken the book from the original written by Dr John Dee, an Elizabethan polymath, advisor to the Queen, mathematician and magician and added his own lengthy preface. The book was called:
A True and Faithful relation of What Passed for Many Years Between Dr John Dee (A mathematician of great fame in Queen Elizabeth and King James, their reigns) and Some Spirits: Tending (had it succeeded) To a General Alteration of most States and Kingdoms of in the World. His private conferences with Rudolph, Emperor of Germany, Stephen, King of Poland, and diverse other princes about it. The particulars of his Cause, as it was agitated in the Emperor’s Court, by the Pope’s intervention: His Banishment, and Restoration in part.”
It’s generally just called The Relation, or A True and Faithful Relation. When you look at that title, you’d be convinced Casaubon was keyword stuffing, but this was before the invention of SEO.
Casaubon provides a lengthy theological preface where every s is f, and other poor spelling (nearly as bad as Chaucer) with chunks of Latin, some Greek and a tiny bit of Hebrew. It’s generally pretty tedious but he does try to defend Dee from the accusation of being a conjurer. You must remember that in 1604 King James I of England (VI of Scotland) enacted a Witchcraft Act that set out penalty of death to any who invoked evil spirits, or communed with familiar spirits. Witchfinder General Matthew Hopkins operated under this statute. So, when Casaubon published his book, Dee was clearly in breach of this law and liable to the death penalty, except of course he got out of this by being dead already. In 1649, the Scots extended their previous witchcraft act to give the death penalty to those who consulted with Devils and familiar spirits. That would be you at your Tarot reading.
Casaubon says that Dee had an Angelical Stone which he claimed was brought to him by an angel. It was this he used, or rather Edward Kelley, his scrier, used to see the spirits. Casaubon also tries to excuse Kelley saying, “I would suppose that he was one of the best sort of magicians, that dealt with spirits by a kind of command…and not by any compact or agreement.” This may be considered a splitting of hairs.
We have 55 pages of Casaubon’s preface before getting to the good stuff. Or at least the better stuff
The next section is Dr John Dee’s apology sent to the Arch-Bishop of Canterbury in 1594/5. (This was the time of the introduction of the new Gregorian calendar by the Catholic Church in 1582 and so years had different numbers and days had different dates depending whether you reckoned in the new Gregorian, or old Julian calendar. Protestant and Orthodox Christians lagged in the introduction of the Gregorian calendar, the last country to adopt it was Orthodox Greece in 1923.)
Dee is basically trying to kid the arch-bishop that he is a straightforward Christian believer. He sets out the books he has written for the benefit of his native country and he makes a fervent protestation that all the methods of acquiring knowledge he used were good, lawful, honest, Christian and divinely prescribed. He adds an epilogue, to me a sign that he guessed his fervent protestation and list of qualifications were unlikely to cut ice. He adds a copy of his degree in Latin to further show what a good egg he is.
The next section is the extensive Table of Contents in Three Parts, which briefly summarizes each entry in the following book. Then we have the Errata. I am unsure whether these parts were added by Casaubon as he edited the manuscript but he writes about Dee in the third person, so I guess this is Casaubon’s table of contents and note of errata.
We then have diagrams of The Holy Table with the Enochian alphabet and magic squares depicted, and the Four Watchtowers diagram with notes who which princes, trumpeters, ensign bearers stand where in Heaven. On Page 96 of the PDF facsimile we get to Dr Dee’s own work the Liber Mysteriorum & Sancti written after the pattern of Noval.
Liber Mysteriorum & Sancti
The journal, for that is what it is, opens on 28th May, 1583 in Leiden between Amsterdam and The Hague on the Dutch coast. Dee has already set off from England.
Dee had originally been his own scryer from round 1581 when he had strange dreams and noted odd feelings and mysterious noises in his house. He got a crystal ball, or show-stone and began scrying himself and on 25 May 1582 reported his first contact with spirits through the show-stone.
This reminded me of similar experiences recounted by Carl Jung in his autobiographical Dreams, Memories & Reflections, where he notes that in June 1916 he began to feel there were unseen entities in his house. One of his daughters saw a ghost, and that night another daughter had her bed clothes yanked off, and his nine year old son had a nightmare about the Devil. The next day at 5pm, the doorbell began ringing and wouldn’t stop until Jung looked out of the window to see there was no one there. Ghosts pressed round him and he wrote, perhaps channeled his Septem Sermones ad Mortuuos. “The Seven Sermons to the Dead.”
When prompted by this irruption of spirits into his life, Jung’s reaction was to write what they told him. Dee’s was to stare into the show-stone to see what they wanted.
Dee later employed a seer called Barnabas Saul so that he could take notes. It’s unclear whether Dee himself continued to see the spirits. Saul had some disturbing experiences and quit. After that Dee was on the look-out for a new scier and hired 27 year old, Edward Kelley (not his real name). Kelley appears to have been something of a rogue, forger and necromancer, but Dee was apparently satisfied with his skill as a seer. Dee’s fortunes had diminished since his heady days with Queen Elizabeth and he latched onto Polish prince Albert Laski and travelled to Poland to enjoy his patronage.
While Dee was away in 1583 a large mob burned down his house in Mortlake, Surrey and with it his books and occult paraphernalia.
28 May 1583, Leiden, Holland: The Spirit Madimi
When the Book of Holy Mysteries / Liber Mysteriorum & Sancti opens, Dee and Edward Kelley are sitting around the show-stone. It is Dee is concerned that the Polish prince Albert Laski will support him against the malice and envy of Dee’s fellow Englishmen. This is a time when Dee’s esteem has fallen markedly from when he was the Queen’s advisor and astrological confidant. From the way he writes it, it looks like Dee himself sees the spirit Madimi first come out of his Oratory. He describes her as a pretty girl of 7-9 years old. Her gown is a “changeable green and red” with a train that moves up down, so her image is in flux. This is what one would expect from a figure representing the Jungian anima: the Unconscious is always changing from one thing to another and is difficult, like a sub-atomic particle (another figment of the unconscious imagination) to pin down. Madimi is a bit sassy and when Dee asks her “Whose maiden are you?” She replies, “Whose man are you?” There appears a voice in the background apparently warning Madimi that if she reveals who she belongs to, she shall be beaten.
But this whole scene is not the scrier, Kelley relating what he sees to Dee, at least not as it’s written, but Dee appears himself to see Madimi dancing in and out of his books. Madimi appears to be negotiating with the voice off-stage to allow her to tarry awhile. Madimi is one of her mother’s children. That could be construed to mean she emerges from the Matrix, the Great Mother that underlies all things. She can’t say however who she belongs to or where she dwells for fear that the off-stage personage will beat her. Some trickery then.
Madimi has six sisters. She says they all must come to live with Dee. Dee says that Madimi’s elder sister is Esemeli, but she won’t confirm it. Instead she pulls out a picture book. From here it is Edward Kelley who is explaining what he sees and hears to Dee, as if Dee can no longer see for himself. We picture Kelley staring into the show-stone. Madimi goes on about various members of the English aristocracy, pointing to them and naming them. She focuses on an area Shropshire and names various towns around Ludlow. Then Dee gets called for supper.
This is like me when I’m playing Elder Scrolls Online and I have to go and eat. Bummer.
They reconvene after super and Madimi is right there, showing them pics of the aristocrats again and saying things we presume Kelley, or anyone, would know. At one point, Dee asks her to give the same pedigree commentary to the Polish Albert Laski as she does to the English nobility, but she replies that she can’t do this for people in other countries. We would guess it would be outside Kelley’s knowledge, if he was faking Madimi, and so couldn’t come up with anything verifiable. Madimi offers up some Latin saying that the one who sent her is true.
2nd June 1583
Kelley reports that a golden curtain hangs inside the stone, so nothing is visible, but a voice is heard repeating three times: Holy, Sealed, for a Time. Dee wonders what exactly this could mean. The voice helpfully expands to explain that it is the Holy One’s will that it remain sealed for a time. A man in red appears, like a common husbandman. They ask him questions but he kneels and prays in a strange language: Oh Gahire Rudna gephna ob Gahire, looking at the stone and adds in Latin, I will not make mine. In answer to Dee’s questions, he says that all things are made ready – the 7 doors are opened, the 7 governors have almost ended their government he then goes into a spiel about the tribulations of the earth and the elements. “Hell itself is weary of Earth. For why? The Son of Darkness now comes to challenge right.” This Son of Darkness wants to establish himself a kindgom and thinks things are ready. “We are now strong enough.”
It all sounds rather apocalyptic.
He goes on to say “We are Seven” and that he seems to say he is equal with the greatest angels and his name is Murifiri. His name is to be found on all their tables. He begins to spell out words, but it is not clear what they mean.
The Enochian Apocalypse
I should say at this point that the Enochian scholar, Donald Tyson, believed that the spirits that talked to Dee and later revealed the magic Enochian language, were paving the way for an Apocalypse, whereby the gatehouses that guard this universe were to be opened and occult forces pour “usurping blasphemy, misuse, and stealth of the wicked and great enemy, the Devil.”
Go figure. I’ll probably post more about the angels at a later date.
I found this on my hard drive – it’s the beginning of a rather pretentious book I was writing at the time when I was pretentious. I include it because it has many of the themes I’ve written about on this blog. Here goes.
This is a book about ghosts and demons, witches and mediums, madness and magick, reality and truth. It is about people who want to contact those on the other side and about things on the other side that want to come to meet us. As the city is haunted by memories of its past and breathes in dreams of its future; so we walk through the present-time but as in doing so, are immersed in our own “dream-time”.
The cities in this book are places where I have found the dream-time to be particularly pervasive. A place where dreams and illusions cluster, and where the atmosphere of somwhere else – not outre mer, but outre monde – gets into your body and is hard to clear away. This world and the next are not like oil and water, but rather blood and milk: they mix and are essentially the same.
Among the monsters and wonders of this dreamscape, particularly prominent are the cold vampires and the insubstantial ghosts. If I had a penny (perhaps to place one day on my cold closed eyes) for everybody who has asked me whether these things are really real: are really out-there-anyway , in the same way we believe rabbits to be; going about their business even when no one is there to see, I would be rich
I answer that ghosts are real to the people who think they are, which causes the questioner to go away unsatisfied. I have also said “it’s not the place which is haunted but the person who goes there.” But on reflection, I think the places are haunted too.
People think that a city is just bricks and roads and maybe the people who go to work and live in it. Sceptics would say that this is all there is to life. And people often say to me that they will believe a ghost as soon as they see one with their own eyes. The idea then, is that what you see with your own eyes is real; that only physical things you can touch have any real influence. But even a moment’s reflection will show that this is untrue. Most of the things that influence us have no physical form, nor will they ever: consider interest rates, patriotism, a desire to be important. Many things that begin as ideas will become buildings, cars, paintings or meals in due course; many more ideas will never be physically realised; an unwritten novel, a desire to visit Samarkand, an unborn child. And of course things that are real just as easily become only memories. So we live in a constant flux of things in our world becoming insubstantial, and things from the “dream-time” becoming tangible: the sort of thing a sceptic could run his hands over.
A city is haunted by its past. When you walk down a street you see buildings put up hundreds of years before you were born, the pattern of the streets itself will follow the needs and footsteps of those long dead. It is not just physical things; the language you speak, the deeds and thoughts of those who have gone before us also inform and influence everything we do. We are not isolated “billiard balls”; we are processes in flux between past and future, between the physical present and the insubstantial dream-time. As you walk down a London Street, just because you cannot see, hear, taste or touch it, the Blitz is real; the Great Fire is real. It is happening still in the dream-time. Your limited senses give you a limited view of the whirling universe; you see and hear only certain frequencies, your nose and tongue register only certain molecules. You are only aware of that little moving slit of light called the present, which for you contains all and only what is real. But what is the present? Try and stop it and say this is “now” and it is already gone. We might represent it like this:
Though we have concepts of the past and future; neither of them can be touched. Our two modes of experience are the material now-time where we concentrate on the road, read a menu, speak to our dog; and the insubstantial dream-time which always surrounds us and which is made up of non-material forms and ideas.
For those of you who know the Qabalah, our material world in this now-time is understood as the Sphere of Malkuth – the earth, apparently dense and ‘real’. The swirling Phantasmogoria is Yesod, the sphere of forms and ideas, though which we descend when we are born, and through which we return when we die.
I imagined that I had dreamt up the idea of now-time, but Walter Benjamin already described it in his jetzeit. Once again I am shown that I have nothing of my own; things only pass through me: as if I am a ghost.
And just as the city is full of ghostly ideas and plans that may or may not come about, and its streets and houses are haunted by those who once lived there, the presence of those who have never been is also strong. Dracula and Sherlock Holmes have as strong a presence in London as Henry VIII or Jack the Ripper.
What I have called the dream-time, Steve Pile in his book Real Cities calls this swirling atmosphere of ghosts and history the Phantasmagoria. For some reason in some places the Phantasmagoria lies thicker than others. Thicker than the leaves in Taur-na-more-na-lome, in fact. Pile also cites the work of Walter Benjamin who wrote a personal memoir evoking the atmosphere of his native Berlin. Benjamin in turn wrote a biography of the French poet Baudelaire who conjured images of a dream ridden Paris. This book is my slight attempt to reproduce what certain European cities feel like to me. I have been drawn to these places because they seemed to be focus points for the Phantasmagoria; places on earth where it stood thicker, harder to shake one’s head clear from, and which consequently had attracted those keen to make contact with the Insubstantial.
Another thing is that within the Phantasmagoria our own individual identity is less well defined, but at the same time it is paradoxically central. Walter Benjamin as represented by Steve Pile paints an individual picture of the memories and architectures of feeling of his native Berlin. So he concentrates on places that are important and meaningful to him. In the same way in this book, I have inevitably and shamelessly represented the cities as they feel to me. I have places where my own memories and imaginations come crowding around me. So, a representation of the Phantasmagoria is in that way subjective. But on reflection the ideas and thoughts in our heads are not kept in there as if in a hermetic vessel. The words I speak, the ideas I think have poured into me from my contact with others. Nothing is my own; I may modify it, but the content of my experiences and feelings flows through me as a process. In the same way that certain places have an atmosphere for me, they evoke similar responses from others. Why do people set mysterious and haunted stories in Venice for example? Because the personality of that city evokes them from their creators; and Venice’s personality is felt by every resident, and every visitor in some measure at least. During the day in those Venetian streets, and at night as we sleep in our hotel beds, we swim in the ocean of what Carl Jung called the Collective Unconscious. Emotionally as well as materially, our separateness is revealed again as an illusion.
This book contains stories about ghosts and those who have looked for ghosts. We will always return again to our question: but are these creatures real?
I cannot answer without equivocation. The existence of ghosts points up a central feature of human experience. We want yes / no, but when we get these extremities and white do we find them or do we make them up?. Does the head lie in the sculptor’s block of stone ready to be discovered or does he put it there?
Let me set out my thinking about the reality of ghosts. If you are not interested in philosophy, feel free to skip forward to the vampires.
Q1. Do ghosts exist?
A1. In the 17th Century Descartes proposed that mind and body are two separate substances. This is known as dualism and is still widely believed among ordinary people: that the soul is of a different substance to the body and departs after death. However, most thinkers have found the problems it throws up insurmountable (for example, if soul and body are wholly different substances, how do they interact?). So, most thinkers believe that there is only one substance which forms all our experience (monism). Science believes this is matter. However, we do seem to have experiences that are outside matter; ideas and thoughts. These mental contents are typically about something, which seems different to material objects. For example, it is difficult to imagine a stone or a chemical is about anything. For a long time science got round the problem of mind by ignoring it. Now neuroscience predicts mind will be explained as arising from the material functioning of the brain, though so far this has mainly consisted of explaining it away.
The wonderful 19th Century American psycho-philosopher William James suggested that there was only one substance that was neither mind nor matter but contained both. In this he agreed with the brilliant 17th Century Dutch apostate Jew lens-grinder Baruch Spinoza and the equally brilliant 20th Century American philosopher Thomas Nagel. There is only one substance from which both mind and matter arise. Spinoza called it God. The learned Swiss apostate protestant 20th Century psychologist Carl Jung called it “The Self”.
They may want to quibble about my representation of their views, they might not like to be bunched together like this either. But all except Nagel are currently dead, which brings us back to Question 1.
My point is this: though matter (the physical objects of the now-time, we observe, eat and caress) and mind (the immaterial objects of the dream-time we think about, imagine and grieve for) seem different but they are not. So, if we say that material objects exists, then so do ghosts.
However this has not possibly answered your real question, which might be:
Q2. Can ghosts be seen?
A2. Many thousands of people claim to have seen ghosts, and a smaller, but still considerable, number say they have encountered vampires and the Loch Ness monster. Less claim to have been to the Moon.
The Scottish philosopher David Hume considered the possibility of miracles. He didn’t think he would believe a report of a miracle. He said, “a wise man apportions his belief according to the evidence”. He said that there are two ways of determining whether something is true, the first is to verify it yourself (delusions and illusions to one side); the second is to believe the testimony of others. He was inclined not to trust the testimony of people about miracles (and I’m guessing ghosts) because there were some many fools and knaves around, who would either delude themselves or lie. He said that miracles were by definition a breach of the laws of nature, so he would need evidence impressive enough to convince him that such a law had been breached.
Hume elsewhere pointed out that there was no logical reason for cause and effect. Things just tend to happen in a certain way. So, if we drop an egg onto a stone floor it will break. Mostly. The law of Cause and effect is statistical. Modern physicists are much taken with symmetry in their equations. They have found no mathematical reason why a broken glass should not fly back together again. It just mainly doesn’t. If it did, it would seem to be a miracle because it had broken a law of nature. Except laws of nature (like laws of man or God) are not inviolable. They are only observations of what mostly happens. This is how natural science works. It makes lots of observations, replicates the observations and works out what mainly happens. It then ignores the little odd things that don’t fall in with the majority and calls them anomalies and throws them in the dustbin. It is not a law, merely a tendency. So, ghosts don’t tend to be seen, but it breaks no law of nature when some are seen.
I’m with Hume in thinking there are lots of fools and knaves who will tell you they see ghosts who haven’t. If this doesn’t satisfy you perhaps your question is really:
Q3. Can I see ghosts?
A3. First I must introduce the concept of schizotypy. It is related to the idea of psychosis. Psychotic people believe in the reality of magic, ghosts, occult conspiracies, alien abductions, ESP, thought transference, the existence of gods and devils and suchlike. However it has become clear that many people who would not be diagnosed as psychotic also believe in these things. Psychologists then place people on a continuum that goes from psychotic (mad) to schizotypical (not mad) to imaginative, to creative, to ultimately the boring type of person who sees no magic or wonder at all in anything. People who show a high degree of schizotypy (belief in the possibility of magic, ghosts, aliens, vampires), are therefore edging towards insanity. But they are also more likely to see ghosts. You, or your psychiatrist, can test your own level of schizotypy using the Perceptual Aberration Scale.
Psychiatrists would say that people who are psychotic, or schizotypical, suffer from a failure of reality-testing. That is, their brains (in here) fail to test their ideas against reality (out there-anyway). This concept rests upon the idea that there is something out-there-anyway that has one unvarying true form. Now, there must be something out-there (or in-here) or else we could form no conception of it. But we can never objectively know what it is because our minds cannot be objective, they only have our own subjective viewpoint to work on.
Going back to the idea of truth being agreement; we can look again at psychosis. As we grow up we learn what is normal. There are no natural laws, just likely probabilities, so we learn what is probable. We also compare our own observations against those of others and come to a level of agreement: the earth is flat, Newton was right, Newton wasn’t right; Jesus died for us; the world is round and made of atoms like tiny billiard balls or solar systems. That level of agreement is truth, and it varies from community to community across time. If you have ideas that a few people share (like about Alien Abduction or Astrology or Evolution) you can get together and that will be true for you. You can then try and go on and persuade others. However, if you have ideas that few people locally share you will become eccentric. If you find those ideas threatening and they make you anxious but you still believe them, then you will become psychotic.
Peter Naish makes the point that when we look at something, our brain has to decide which parts of the image on the retina go together to form one object. This is a difficult task especially when “objects” are seen from different perspectives, overlap, cover each other and move. He also notes that most of us avoid picking nettles when picking wildflowers from the hedgerow. So we must know what we’re seeing. We combine incoming visual perceptual information from conceptual information already in the brain. Or so the theory goes. Perceptual and conceptual seem to be combined at some point to identify an object. At the moment no one knows what comes first, percept, or concept. Maybe neither does, because they are two sides of the same coin. There is no coin with only one. The idea that objects out- there- anyway depend on us to exist is supported by evidence from Balint’s Syndrome. Patients with this can only see one object at a time. Nash notes that a patient lighting a cigarette might find their attention captured by the flame so that they could see nothing out. He quotes a patient who said he could not see the doctor, because his attention had been captured by the doctor’s spectacles, and that was all he could see.
Subjective consciousness (that’s you reading this) is a point localised in the space-time-dream stuff. From this point we make our observations through the Stuff. That perspective is our reality (of a, say, stone). Those other subjective consciousnesses (Call them ‘people’ or animals or gods, angels and demons) also have perspectives. If these are similar enough to ours we agree that our point of view through the Stuff represents reality: things as they really are. This gives that the misunderstanding that there really is a stone out there anyway in-itself. But the stone is an extension of us. A line drawn between two points through the Stuff. Our separation from the Stone is an illusion. All is infolded implicate (as per the physicist David Bohm): which unfolds explicate as we observe. There is no out-there-anyway, nor in-here-all-alone but Silence. Not the opposite of noise but never spoken: The Sign of Harpocrates (as per the magician Aleister Crowley). To get an idea of this, imagine the emptiness within the mind of the Stone.
Our viewpoint, our life, is then perhaps the descent into matter. The imprisonment of Sophia by Physis. As the Qabalists say in their obscurantist fashion we and the ghosts are here:
Above these is the veil of Paroketh. This separates these two spheres from the higher reaches of the Tree. It is said that below the veil there is Time, above it, there is no time. So, ghosts, which occupy the dream-time of Yesod and we who occupy the now-time of Malkuth, are both subject to time.
So, if you have a high schizotypy rating and at least half believe in the Qabalah, you too can see ghosts. But why would you want to?
Q4. Why do we want to see ghosts?
A4. It seems to me that something can be either familiar or wonderful. Wonderful things like electricity or Christmas presents become ordinary once they are familiar. Given the statistical lack of ghosts, they are unfamiliar: hence wonderful. An evolutionary perspective on this might be that our ancestors, developed curiosity as a useful way of getting them to look into dark corners to find food that would have otherwise gone unnoticed. An astrological perspective might be that the especially curious among us have Mercury prominent in our natal charts. Moving away from these unscientific ideas to Jungian psychology, it might be that ghosts, and dark canal water and dreams of women draped with hissing serpents and the dank tombs of vampires represent that Other, to which we are always drawn; our source, our Self. The Pleroma: the dream-time: the Phantasmagoria. The 18th Century genius Goethe gives us some idea of what I speak of:
Mephistopheles. Not glad do I reveal a loftier mystery-
Enthroned sublime in solitude are goddesses;
Around them is no place, a time still less;
To speak of them embarrasses.
They are the Mothers!
Faust [terrified]. Mothers!
Mephistopheles. Do you fear?
Faust. The Mothers! Mothers! Strange the word I hear.
Mephistopheles. Strange is it. Goddesses, to men unknown,
Whom we are loath to name or own.
Deep must you dig to reach their dwelling ever;
You are to blame that now we need their favour.
Faust. Whither the way?
Mephistopheles. No way! To the Unexplorable,
Never to be explored; to the Unimplorable,
Never to be implored. Are in the mood?
There are no locks, no bars are to be riven;
Through solitudes you will be whirled and driven.
So it is to this I am drawn. The ghosts indicate the where magnetic North is; the thickest clustering of the Phantasmagoria. By way of the ghosts I will find the the Mothers. My compass needle flickers and searches them out. Pater dimitte me.
But do they (on my wall I have a replica slate plaque of the Threefold Goddess watching me, making me wary of any blasphemy) really exist? This takes us round in circles.
- Brodie-Innes, the Scottish lawyer and occultist is reported as saying “Whether the Gods, The Qliphotic forces’ (ie the evil demons of hebrew Qabalah) ‘or even the Secret Chiefs’ (ie the supposed invisible super humans who are believed to direct the activates of authentic magical fraternities) ‘really exist is comparatively unimportant; the point is that the universe behaves as though they do”
And behaving as if something is real, usually makes it so. Consider the person with a phobia of crossing bridges. Though statistically they are very unlikely to accidentally fall to their death, they are emotionally convinced they will to the extent that they are in mortal fear of bridges and will avoid them at all costs. Someone with psychosis my be in absolute terror because they know their heart is infested with spiders. No one else believes that is possible, but they cannot be convinced otherwise. And it is not just for those Society deems as being ill. Most people are plagued with irrational thoughts and believe things that many others do not: that someone loves them, that someone does not love them, that they will win the lottery or become a pop idol, that immigrants steal their jobs. The Scottish philosopher David Hume in his On Miracles discussed how people come to believe things are true: they either verify things with their own senses or trust the testimony of others. For example I have never been to Australia, but I believe it exists on the basis of the testimony of others. I believe that Apollo 11 landed on the Moon though many people sincerely believe it to be a hoax. I believe in Einstein’s theories of relativity – not because I can understand the mathematics, but because I trust Einstein’s reputation.
In the same way we must come to our own belief in the creatures of the Phantasmagoria. I have put my case that to be real, something does not need to be visible and able to be touched. If it has a real influence then it is real. Other people, still wedded to the – to me clearly erroneous – idea that solid things are all that exist, may still want that kind of proof for ghosts and vampires. In fact people do claim to have seen them, and we will be presented with this kind of testimony later in the book. So are these people all liars? My judgement, as with Einstein, is that they are not. They have had some kind of experience that they believe to be as real as any other. Have they been deceived by their senses? Perhaps, but I have spoken to so many of them, so obviously sincere, that I must conclude that something is going on that makes them think they have had physical encounters with creatures of the Phantasmagoria.
A more interesting question to me than whether ghosts are real, because as I have demonstrated to my own satisfaction that they are, is why do people care? Why do people keep looking? I think that in essence all of us ghost hunters, vampire seekers, dabblers in magick and psychogeography are really looking for the heart of things. That true Grail or mystic Self that lies we think out there in these haunted cities. We want for a second to look through the mist and see the wonder of reality.
The Phantasmagoria is a person. As you look at him, he considers you.
I hope that you will visit the places I talk about and realise that the Phantasmagoria is not something I have made up; you can feel the spirits, dead or never born for yourself as you linger in these dark haunted streets. I want you to look into these shadows and see that the shadows are looking back at you.
Chapter 2: Hampstead and Highgate
Everything has to begin somewhere and so we begin in London at Hampstead Underground Station. Coming up here, you find yourself in the middle of the old village of Hampstead. Incidentally, this tube station is the deepest on the London Underground network, at 192 feet. Hampstead is now part of the London conurbation but was once a separate village built around wooded hills. It is said that there was a prehistoric burial barrow on the top of Parliament Hill where the ancient British queen Boudica was buried. However when it was excavated in 1894 she was not there. Hampstead has always seemed to have a mysterious atmosphere to me. Perhaps it is because of the nearby Heath which is huge and still wild enough to get lost on. Not somewhere to venture on a dark night. Many writers and poets have made their homes in Hampstead over the years. In many senses it has served as a refuge from London. In 1349, the Abbot of Westminster came with his monks to Hampstead to escape the Black Death. In 1524 a flood was predicted that would overwhelm London and so hordes of people came to the high ground at Hampstead to escape. During the Great Plague in 1665, fleeing Londoners came to Hampstead; so many that according to legend when the lawyers and judges arrived they had to sleep and hold court under the trees at a place known as Judge’s Walk. The streets round here are narrow and go up and down the hills. Wonderful old houses flank them, many of them turning away from the prying eyes of us passers-by; due no doubt to the great wealth of their owners and the natural reticence of the wealthy in England to share their spaces with those who happen to be walking the streets outside.
I remember in my twenties, one night coming up to Hampstead to see Eisenstein’s Ivan the Terrible in Russian. The Hampstead Everyman Cinema is just over the road from the tube station. I was due to meet two girls there. They were Russian linguists and I had agreed somewhat reluctantly to go with them to see the film. It was dark when I emerged and somewhat fantastically it was snowing. I don’t remember it snowing when I’d left central London though it probably was. I stood outside the Tube Station waiting for these girls, neither of whom I loved, watching the snow fall, which had made Hampstead unusually quiet. In my memory I am the only person there standing on that street corner. And then they arrived, both wearing black Russian fur coats and hats. Even though I didn’t love them the whole place was magical. I don’t remember enjoying Ivan the Terrible much.
C S Lewis was also inspired by snow at Hampstead. One day he took at walk across the Heath and the scene inspired him to write The Lion, the Witch and the Wardrobe.
Going left from Hampstead Underground, a little way down the William IV pub. This, London’s oldest gay pub, is reputedly haunted. Apparently a doctor’s wife was murdered here. Presumably the pub was a house at the time, or perhaps they had an argument over a beer. In any case he managed to brick her up in the cellar. Every since that time she has troubled residents of the building by rattling windows and slamming doors. A recent landlord complained that lights go on and off though he put that down to the pub’s age and the state of the wiring. It’s status as a gay bar started in the 1930s apparently to cater for men cruising the nearby Heath. This kind of shadowy activity, where people signal to each other their intentions by signs that others may be oblivious of in order that they can meet once under the cover of darkness and then never meet again, is definitely part of the Phantasmagoria.
Nearby is Church Row and the church and the overgrown churchyard of St John. Church Row itself is said to be haunted by a maidservant with ginger hair, seen carrying a carpet bag. This carpet bag is said to contain the remains of a child she was looking after in one of the houses. She killed and dismembered the infant and her ghost is said to be seen at sun up. People also hear her footsteps and it is said that she looks around to see if she is being watched before hauling the bag into the churchyard, where she presumably got rid of the corpse in one of the existing graves.
The last time I was at the church it was a beautifully sunny day and a postman was sunbathing on a bench in the middle of the graves, old trees and tall grasses of the churchyard. Ghostly children are said to be seen playing among the graves, though I have never seen them. Nevertheless, the churchyard has an air to it. The paths are overgrown and though it is not exceptionally big, it is big enough to feel disorientated. The graves themselves are romantically old and weatherworn, the sepulchres cracked. Cracked enough that it is easy to imagine a hand reaching out from them. In fact, this churchyard is one of the places thought to have inspired Bram Stoker when he wrote Dracula. It is said that this is the churchyard where Lucy’s vault was. There is a scene here Van Helsing and Dr Seward are preparing to deal with Lucy. After dining at Jack Straw’s Castle, at ten o’clock, they make their way down to the churchyard, where the Westenra family’s tomb is.
“As we went further, we met fewer and fewer people, till at last we were somewhat surprised when we met even the patrol of horse police going their usual suburban round. At last we reached the wall of the churchyard, which we climbed over. With some little difficulty, for it was very dark, and the whole place seemed so strange to us, we found the Westenra tomb. The Professor took the key, opened the creaky door, and standing back, politely, but quite unconsciously, motioned me to precede him”
The Coffin was empty. On 29th September, according to Dr Seward’s diary, they returned to deal with the vampire.
29 September, night.–A little before twelve o’clock we three, Arthur, Quincey Morris, and myself, called for the Professor. It was odd to notice that by common consent we had all put on black clothes. Of course, Arthur wore black, for he was in deep mourning, but the rest of us wore it by instinct. We got to the graveyard by half-past one, and strolled about, keeping out of official observation, so that when the gravediggers had completed their task and the sexton under the belief that every one had gone, had locked the gate, we had the place all to ourselves…
… Van Helsing stepped out,and obedient to his gesture, we all advanced too. The four of us ranged in a line before the door of the tomb. Van Helsing raised his lantern and drew the slide. By the concentrated light that fell on Lucy’s face we could see that the lips were crimson with fresh blood, and that the stream had trickled over her chin and stained the purity of her lawn death robe.
Nearby was the home of Robert Louis Stevenson, though an Edinburgh man, he stayed on occasion in London. The place he stayed was 7, Mount Vernon. London is the setting of his most famous story: Dr Jekyll and Mr Hyde. One night, the lawyer Mr Utterson, goes out searching for the monster Hyde.
It was a wild, cold, seasonable night of March, with a pale moon, lying on her back as though the wind had tilted her, and flying wrack of the most diaphanous and lawny texture. The wind made talking difficult, and flecked the blood into the face. Its eemed to have swept the streets unusually bare of passengers,besides; for Mr. Utterson thought he had never seen that part of London so deserted. He could have wished it otherwise; never in his life had he been conscious of so sharp a wish to see and touch his fellow-creatures; for struggle as he might, there was borne in upon his mind a crushing anticipation of calamity. The square,when they got there, was full of wind and dust, and the thin trees in the garden were lashing themselves along the railing.
And so we make our way onto the Heath. The Heath was infested with wolves until the 13th Century. It is quite extraordinary to find such an expanse of open and apparently wild land within four miles of the centre of such a large city as London. In fact it is surrounded by the city, but manages to be strangely apart. The springs at Hampstead produce water with apparently medicinal properties.
In Dracula, Lucy from her nearby tomb comes onto the Heath and tempts the local children playing there to go with her. She is the bloofer lady. Stoker was not the only one to set vampire stories on the Heath. In David Stuart Davies’ 1995 book The Tangled Skein, Sherlock Holmes investigates strange vampire like occurrences on the Heath and is led to meet Count Dracula. Again these two characters who never existed still haunt London. But even before James Rymer in his 1845 ‘penny dreadful’ Varney the Vampire, or the Feast of Blood, had set vampires lurking on the Heath. The vampires emerge from their tombs under the Heath and go hunting in Hampstead Village. They make their way to the churchyard, (surely St John’s?), and there dig up the a newly dead man who is destined to become one of them.
“A death-like stillness now was over the whole scene, and those who had partially exhumed the body stood as still as statues, waiting the event which they looked forward to as certain to ensue.
The clear beauty and intensity of the moonbeams increased each moment, and the whole surrounding landscape was lit up with a perfect flood of soft, silvery light. The old church stood out in fine relief, and every tree, and every wild flower, and every blade of grass in the churchyard, could be seen in its finest and most delicate proportions and construction.
The lid of the coffin was wrenched up on one side to about six inches in height, and that side faced the moon, so that some rays, it was quite clearly to be seen, found their way into that sad receptacle for the dead. A quarter of an hour, however, passed away, and nothing happened.
“Are you certain he is one of us?” whispered Varney.
“Quite, I have known it years past. He had the mark upon him.”
What is the mark? How would we know them? We will discuss this further when we get to Highgate. In the meantime, a walk across the Heath, preferably not at midnight, will take us to the Spaniard’s Inn.
The Spaniard’s was a favourite haunt of Charles Dickens. The inn on Hampstead Lane dates from the 16th Century. It is a weatherboarded house names either after the Spanish Ambassador to James II, or after to Spanish brothers who owned it. It is said that they killed each other in a duel over a woman. Dick Turpin, the famous highwayman, stabled his horse Black Bess (who is fictional) in the toll house opposite. Turpin did exist, but Black Bess did not and once again we see the mix of true and false that is characteristic of the Phantasmagoria. Though Black Bess is as real to most purposes as her master. Reality is not fixed for any of us.
The road there was not far from the main route between London and York and the woods of Hampstead would be ideal cover for highwaymen lurking in wait for their rich prey.
In 1780 a party of rioters on their way to destroy the nearby Kenwood House stopped by for a drink at the Spaniard’s. The landlord let the soldiers know who came by and disarmed them. The rioters’ muskets are still displayed in the inn. When I last visited with the group of Americans I am shortly to tell you about, we ate there and then held a séance upstairs in Turpin’s Bar. The rooms still have their wooden floorboards and the crooked walls give the place some atmosphere. Dick Turpin is said to haunt the Spaniard’s, a cloaked figure with a tricorn hat who walks through the bar and disappears into a wall. His horse is supposed to be heard outside.
Our attempted contact with the dead was of mixed success. People felt cold, or hot; one lady thought something unseen had tugged at her sleeve. I would have liked to have had a word with Dick Turpin, whose fashion sense I have long admired, but sadly, it was not to be.
Is it true that the people in our group really felt the burning sensation, the sensation of being touched? This brings us onto the point Pontius Pilate made to Jesus (John 18:38) quid est veritas?
David Hume said that you know what the truth is by either verifying it from our own experience, or believing the testimony of others. Let us leave veryifying the truth from one’s own experience to one side here, because I did not feel a tugging at my sleeve and even if I did I know enough about delusions and illusions not to trust myself.
Hume was an empiricist and like modern empirical science he fell prey to the myth of the material form. Plato believed in the ideal form. That is that behind every imperfect material cat or dog, there was in some divine realm a perfect ideal cat or dog upon which every exemplar was modelled, and fell short of its perfection. This idea has been denied by non-Platonists down the ages. Most modern scientists are definitely not Platonists. (The physicist Steven Hawking famously accused the mathematician Roger Penrose of being a Platonist as if it was a serious intellectual failing.) But most modern scientists commit the equally grave intellectual sin of believing in the perfect material form.
That is, the believe in perfect objectivity: that there is a single true version of the material world that exists independent of any observer, shining and inviolable. The whole enterprise of science is dedicated to uncovering that ‘true’ reality. It is based on a study of facts. Because the observations of one person cannot be trusted, these facts have to be observed and agreed by many people. What is behind this is an attempt to rule out subjectivity.
I am not saying that there is no material reality: a brick dropping on my head would soon refute that. I am saying there is no objective reality without a subjective viewpoint. All subjective viewpoints vary so there can be no definitive objective reality. People recognise this about ideas and dreams but seem to fail to see it is also true for bricks and houses. To believe that there is is a myth which Western Society has swallowed hook line and sinker.. The material and the immaterial are not black and white (and neither are black and white) yes/no switches. The objective and the subjective are a continuum. We can discuss this later in relation to Spinoza and Thomas Nagel if you’re interested. If objective/subjective differ not in kind but only in degree, then so do reality and truth. Some things are more objectively real and true than others (and their truth is a function of agreement between people) We might start with the brick we mentioned earlier, which is quite objectively real and material, move onto a mathematical idea such as “2”, then something aesthetic such as whether a sunset is beautiful, whether Apollo 11 landed on the moon, and then perhaps the ghostly touch of a hand.
It seems clear to me that without any subjective observer, there cannot be any facts. So where does this leave science? If no one ever sees or notices something, then it does not exist. Of course scientists postulate theoretical entities but then try desperately to observe them because they, like the Church, are literal minded and have been deluded by the Goddess Physis into believing only hard little things you can knock about and touch are true.
After physicists had postulated more and more bizzare sub-atomic particles and then discovered them, the quantum physicist Nils Bohr is said to have joked that one year someone should get the Nobel Prize for not discovering one. The idea being that the postulated them, then they discovered them. Almost as if the universe were serving up what the observing physicist had ordered. More like magick than science.
It seems to me that truth is not about discovering a ‘real’ and unique reality, if it were historians and scientists would have given up researching and doing experiments quite a while ago. Instead the ‘truth’ is what we agree to be true. For example, we might agree that Apollo 11 never landed on the Moon or that Princess Diana was killed by MI6, and as far as we were concerned that would be the truth. Until someone came along and persuaded us otherwise.
So was that person in our séance truly touched by a ghostly hand? If they believed it (through delusion) and we believed it (because we trusted their testimony), then I suppose they were.
On the night of the séance, before we had come to the Spaniard’s we had visited Highgate Cemetery. The way between the two places is along Hampstead Lane. It is now pleasant enough, but in the past a dangerous road to travel after dark. There are many historical records of attacks on travellers. These shadowy figures were no doubt corporeal enough, but there are ghosts along this road. Traditionally there is a dark figure on horseback who comes riding out from the bushes threatening to trample walkers to death..
Leon Garfield had the hero of his children’s novel Mr Corbett’s Ghost had his hero come up this way on New Year’s Eve long ago to the house of a black magician. This man was employed to do away with people through sorcery. The apprentice makes a pact to have his cruel master killed, and then repents.
Already he could see the top of Hampstead Hill. On either side of him the trees bent and pointed, and high upstairs the tattered clouds flew all in the same direction. The dark wind was going to Hampstead too, and it was in the devil of a hurry.
At last, he could see Jack Straw’s Castle: a square-built, glum and lonely inn scare half a mile ahead…
Then he sees the house where the bargain will be made.
It was a tall, even a genteel house, often glimpsed from the high road from where it looked like a huge undertaker, discreetly waiting among the trees…
It was said there was a room at the top of the house where certain transactions took place. The windows of this room were sometimes pointed out, for they could be seen from the high road, staring coldly through the trees.
It was rumoured that this room, ordinary enough in all its furnishings, held an item so disagreeable that it chilled the soul.
It is said that some people in the depths of madness fear that at the heart of everything, like a great spider, or an unfathomable knot, there is a terrible blackness. Inside it is a universe. If they look at this black hole too long they fear they will learn the secret that holds the world together and in so doing, unravel it.
On the day we were to visit Highgate cemetery, we parked up in Pond Square, where the ghost of a partially plucked chicken has often been seen. Neither is it far from the place where Dick Whittington and his cat turned and looked down on London. The cat forever famous as a young woman in tights and boots, encouraged him to walk back down the hill. Similarly, I encouraged my group to walk down Swain’s Lane towards Highgate Cemetery. It was a warm evening in June 2003, around 7 pm. Swain’s Lane is narrow and steep flanked by high walls and trees. It would be easy to believe you were in a country town. As we walked down we saw a gate in the wall on the right hand side. Through the gate you could see a wild place of trees, but the gate was locked. The main entrance is further down on the right. On the left is the East Cemetery. It is here that Karl Marx is buried (as well as George Eliot). I remember in the 1980s in the dying days of the Cold War, that every year Communists would visit Marx’s grave on his birthday – 5th May. In those years I worked for MI5 who historically had been very interested in Communists as they believed they were the biggest threat to the British way of life. Initially I worked in A Branch who amongst other things transcribed telephone taps on British Communists. It was said at the fag end of Communism that every Party meeting had more Special Branch and MI5 agents than real Communists; in fact the British state was keeping the Communist Party going. Later when I worked for K Branch which dealt with counter-espionage we used to observe the Chinese and Russians, and various others go up to Marx’s grave to pay homage but not speak to each other. From what we heard the Russians were equally bored by the whole thing but felt they had to keep on doing it until Gorbachev let them off the hook. In fact, I had never been to the cemetery until that day twenty years later.
Though espionage is definitely part of the Phantasmagoria, and certainly my own as I wander London and remember, the main focus at Highgate is vampires. The West cemetery is very overgrown and can only be visited by organised tours and relatives of those buried there. It dates from 1839 when people were keen to get the dead out of central London and built a ring of grand cemetaries around what was then the outskirts. Highgate cemetery was very successful with the Victorians, no doubt partly because of the view down on London. Though the dead might be indifferent to that, it gave them status. Also giving them status were the expensive and and wonderfully gothic enormous funerary monuments. There was even a tunnel under Swains Lane, which presumably still exists. Coffins were lowered hydraulically down to the basement and then travelled under the road via the tunnel, and then up on the other side. There are about 166,800 people buried at Highgate in 51,600 graves.By the 1960s, the United cemetery Company had run out of money and the cemetery was neglected and became massively overgrown. Not until 1975 was the voluntary Friends of Highgate cemetery (FOHC) formed to begin again to care for the 37 acres. However it was not until the freehold was obtained that the FOHC could begin to do something about the choking brambles and fallen trees that made the West Cemetery an impassable no-man’s land.
We had arranged a private tour from the FOHC and were met by our volunteer guide. He was a man in his 30s who had a proper job but whose love was clearly the cemetery. He told us the volunteers either helped clear the ground around the tombs, a massive and ongoing undertaking, or like him, took round visitors. I had made my Americans swear not to tell him we were on a ghost tour of England because the FOHC is inimicably opposed to such things, for understandable reasons, as we shall hear later. In fact it came out that we were, and he in turn, made us swear not to mention it to the lady we were shortly to meet or we would be thrown out. He collected all our video cameras, though still photographs were allowed. In the end he declared himself amazed at the amount of photographs some of our group, notably Kriss Stephens, had taken. You can find these on the Internet. She is a good photographer. Our guide was a normal intelligent and rational person and therefore found our interest in ghosts infantile. Curiously, in my memory at least, he was an albino, with white hair and pink eyes.
I should say that the group, being Americans, and used to good service, were astounded throughout our trip around England that the people they paid for tours or food were often rude and unhelpful. They took this very well, I thought, though I was often embarrassed. I tried to explain that this was our way and the rudeness was not personal or because, as some of them suspected, they were American.
The lady we met reminded my of our late Prime Minister, Margaret Thatcher. Quite a domineering, narrow minded woman of decidedly conservative attitudes, who gave the impression of being quite well off. Thanks to Ronald Regan and the various Presidents Bush, she warmed towards our transatlantic friends and in an indirect way way sought donations towards the upkeep of the cemetery. After her welcoming oration, she let us go. I thought our guide seemed relieved.
It was still warm and light as we made our way up the hill into the cemetery. The East cemetery is built on hills and is very overgrown. You walk through a tangled wilderness of trees and grass with mournful Victorian tombs, often quite huge, lost and folorn among them. The FOHC have done a fantastic job clearing the paths but still there is an atmosphere of romantic desolation and wilderness. It is possibly one of the most wonderful places I have ever been. Our guide was good, but seemed keen to hurry us along. At times, I tried to gather ones and twos to point out tombs thought to be related to the story of the vampire. Our guide perhaps knew what I was doing, but ignored it. The tour took quite a long time and the light was fading.
The most famous part of the cemetery is the Lebanon Circle, which is a sunken circle of quite astounding tombs. In the middle of the circle were Lebanese Cedar Trees. Only one survives. Round the central area is a circle of twenty expensive family tombs. The Circle of Lebanon is approached through an arch of ancient Egyptian design. There is one tomb here which has been concreted up.
One of our group, a psychiatric nurse from New York, kept hanging back. I went back and see what she was doing, but whenever she saw me, she straightened up and started walking again. The consensus in our group as we whispered among ourselves while our guide talked of famous pugilists and actors, was that she was either praying or collecting earth. I never found out what she was doing but I guess it was the latter: for use in magick.
There is an open area at the north end of the cemetery which abuts the back of St. Michael’s??? church. This terraced area is actually the roof of the terraces which were once part of Ashurst House, a mansion that once stood near this area. In the ground, the roof, are glass windows, which look down into catacombs. Our guide jokingly said, “You will never get to see down there; even I am not allowed in the catacombs.”
This of course led us to ask ourselves: why? Was the Mrs Thatcher type woman with the pearls protecting something in there?
Our guide was extremely anxious to get us out of the cemetery before it got properly dark. A number of us commented on this. Was it because he didn’t want to be amid the twisting paths once the sun had gone down, a time when the place is left to the birds and beasts?
After this we proceeded to our séance at The Spaniard’s convinced that someone was protecting a vampire in the catacombs.
It is now time to tell the story of the Highgate Vampire. The two main sources for this are Bishop Sean Manchester, of the Ecclesia Apostolica Jesu Christi, and David Farrant, one time president of the British Occult and Psychic Society. Bishop Manchester’s book The Highgate Vampire was reissued in 1991 by the Gothic Press and is a very good read. David Farrant tells his side of the story through the Internet. It would be fair to say that Bishop Manchester and Mr. Farrant are not friends. Certainly Manchester describes Farrant as
“David Farrant, a pathetic figure whose infatuation with the Highgate haunting was to earn him and undeserved notoriety, as we shall see, and send him on a helter-skelter into the abyss of the dark occult.”
Farrant is defended against Manchester by an anonymous ex-member of the Highgate Vampire Society (Farrant’s organisation) thus:
“You say that the esteemed Mr. Farrant is nothing more than a paltry criminal who lives in coal bins and slanders the “Bishop’s” good name any chance he sees fit. However, your comments themselves are rather slanderous. While Mr. Farrant is not a wealthy man, and he has served an unjust prison sentence due to his work, he is far more an important figure in the occult research scene than the self-serving shadowy figure of Sean Manchester”.
But enough of this and onto the vampire. According to Manchester’s book, sightings of the vampire began in 1967. It was around this time that he began to interest himself in the case. David Farrant, apparently separately, was “called in” to investigate the case around 1969. Manchester provides transcripts of letters from the Highgate and Hampstead Express from the late 1960s and early 1970s from readers who had written in after seeing a tall black figure in Swains Lane.
The second edition of Bishop Manchester’s book contains a foreword by Devendra P. Varma of Dalhousie University, Canada. The Right Honourable Chevalier Professor Varma (obit. 1994) was honorary vice-president of the Vampire Research Society. He was 71 when he died. Professor Varma, if I may shorten his title, set the scene so well that I would like to quote part of it:.
“Here the finest sampling of funerary architecture rose along labyrinthine paths before a prodigal growth of sycamores and wild foliage engulfed the environs and inaugurated an era of ruin, neglect and decay. Overgrown paths and avenues where trees planted as saplings had grown massive and seeded themselves, obscured the panoramic view of the city.
In this verdure of death there remained visible only decaying mausoleums covered by a mattress of tangled scrubs, dilapidated graves split by expanding trunks of sycamores and scattered old masonry lying twisted across .fallen columns or fragments of broken urns.
Tales of a malignant spectre doomed to wander the cemetery precincts when dusk descends, started to circulate and merge with an earlier legend which pre-dated the graveyard. Something evil held sway in Highgate when on cloudy, windswept heights, the rustle in overhanging branches engendered fears of the shadowy unknown; when, in the eerie, haunted cemetery, near a huge vault, drops of blood were discovered. Reports of sinister and strange happenings accumulated, but the mystery of Highgate remained sealed and secret”.
As the music journalist Peter Paphides has said, “Hampstead Cemetery has a way of swallowing up the living as well as the dead.”
As well as Manchester’s convincing array of documentation in the form of letters about sightings of the vampire, he also presents letters about the death of animals, particularly foxes, at Highgate and in neighbouring Waterlow Park. Farrant’s website also claims there were dead foxes at Highgate. When Farrant went into Highgate Cemetery (in 1969?) he witnessed what happens when superstition and credulity get out of hand.
I arrived at the cemetery in the morning and spent several hours there. It was the first time I had been there for over two years and the increase in vandalism was immediately apparent. Vaults had been broken open and coffins quite literally smashed apart. One vault near the top gate (although not visible from outside it) was wide open and one could see the remains of a skeleton where it had been wrenched from a coffin. Another vault on the main pathway had been thus entered and one of the coffins inside, set alight.
Farrant decided to spend the night of 21 December, because of occult reasons, in the cemetery. When he went to scale the north gate, the one we had looked through first, he saw an inhuman dark shape standing a little distance away down the path. This figure was seven feet tall. The figure inexplicably retreated, but it seems that Farrant decided not to go into the cemetery after. And who can blame him?
After this Farrant’s British Occult and Psychic Society set up vigils in the cemetery with cameras and tape-recorders. Witnesses were also interviewed. This began in December 1970.
Both Farrant and Manchester report that sightings of a tall malevolent figure were reported long before 1967. Particularly on Swains Lane. A girl I used to work with was from Highgate and one day when we ended up driving up Swains Lane, she told me that she and her friends wouldn’t go there after dark. I knew nothing about the vampire at that time. Farrant reports that his research at that time revealed that Satanic Black Masses had been held in the cemetery and particularly in the catacombs. This is rather reminiscent of Huysman’s La-bas which is of course set in Paris. I had always thought that Satanism was more a French thing than British, but it could have happened in Highgate where no doubt many foreigners live. Interestingly Charles Dickens moved his daughter out of the catacombs after she’d been in there a while, back to the family tomb. I wonder why.
Farrant says that one mausoleum, that was empty of coffins had been converted into a temple with inverted pentagrams (the symbolism of the pentagram is very interesting and we shall discuss it further below). Farrant linked this diabolical evocations with the vampire, conjecturing that they perhaps bound it to this place. Farrant reports that the Satanic groups wrote him threatening letters, warning him off the place. Interestingly they name Hadit as an entity they revere, and Hadit is actually part of the terminology of Aleister Crowley’s Ordo Templi Orientis. The OTO are not in fact Satanists, though they might well use an inverted pentagram as Crowley did, representing the descent of spirit into matter. Farrar is however adamant that the senders were Satanists.
Farrant was arrested for his part, trespassing and alleged vandalism at Highgate cemetery but acquitted. He was arrested again in 1974 for conducting nude rituals with his girlfriend over the graves at Highgate. This time he went to gaol.
In 1997, David Farrant formed the Highgate Vampire Society. Shortly thereafter, in 2001, he disbanded it. But in 2005, he relaunched the group following an apparent sighting of the vampire – a tall black figure seen in Swains Lane – in April that year. This sighting is vigorously rejected as a publicity stunt by Bishop Manchester and his followers.
Bishop Manchester dates his involvement with the vampire to 1967, predating Farrant by two years. His first involvement was with a girl of Polish descent; a girl called Elizabeth. Her father was from Krakow. She and a friend had seen a vision of corpses coming out of their graves through the North Gate of Highgate. This girl, Elizabeth, was the classic example of a young woman plagued by vampires. She had marks on her neck, spots of blood on her pillow. She became pale and listless and was treated for anaemia. Most worryingly she kept breaking out of the house in the night and making her way to Highgate Cemetery. He found other victims of the vampire, a girl on North Road, who had similar symptoms; also finding herself wandering to the cemetery after dark. The victim Bishop Manchester had the most significant contact with, was the beautiful 22 year old Lusia. Bishop Manchester even painted her portrait.
In common with the other victims, Lusia felt herself drawn to the cemetery. Following her Manchester was led to the iron studded door that leads into the catacombs – those catacombs which were part of Ashurst House and had been used for burials by the Cemetery Society before it became defunct. Terrifyingly, Lusia and Manchester heard a “low booming vibration” coming from inside the catacombs. They retreated.
On 13th March 1970, Bishop Manchester set out to hunt for the vampire within the catacombs. Before he went in he was interviewed by Thames Television. Things became sinister from that point.
“There was no sun at all on that grey, gloomy winter’s day in the late afternoon. No birds sang. No animals moved about. Only the chill wind had life.”
As he was being interviewed, the sound man reported a strange noise that made recording impossible. The camera director fainted to the ground and at that point an unnatural wind suddenly whipped the trees, sending the interviewer’s notes flying in a whirl of paper and causing the crew’s wires to thrash around. It was as if it were a warning.
The interviewers moved from the North Gate and the programme was made. Within two hours hundreds of would be vampire enthusiasts arrived from all over London and the Home Counties. The police had desperate trouble keeping them under control and safe as they scaled the walls and tried to get into the cemetery. Many claimed to see things in the gathering gloom. For his part, Manchester entered the catacombs by rope. Inside, among other things, he found three empty coffins. He lined these with garlic, placed a cross inside them and sprinkled them with holy water. Having denied the vampires their resting place, he climbed back up the rope and left the catacombs. The crowds remained and at 2 am, the unnatural low booming noise was heard again from under the ground below the cemetery.
Five months later in August 1970, the local paper reported that a corpse had been dragged out of its coffin and beheaded. The police at the time suspected it was to do with black magic but the cemetery was regularly being desecrated by would be vampire hunters. The body was found near the place Lusia had led Bishop Manchester. Prompted by this he returned. He was horrified to find that one of the coffins had vanished. He persuaded Lusia to come back to the cemetery. She was strangely led to the tomb in the Circle of Lebanon from which the corpse had been dragged. Bishop Manchester suspected that this was where the third coffin had been moved to. The tomb is now closed up with concrete, but then he managed to break his way in. There were a lot of coffins in that mausoleum: too many. There was one with no nameplate, in far better condition than the others. Inside he found the vampire, bloated, bloody mouthed and with glazed staring eyes. A corpse of apparently no more than three days. Ignoring his instincts to do the right thing, prompted by conventional morality, he hesitated and lowered his stake. Instead he sealed the coffin with garlic and holy water. Outside he began an exorcism. The horrible booming began again as he spoke the ancient sacred words. On his recommendation the entrance to the tomb was bricked up and has never been opened since.
However, as Manchester himself reports, the visitations of the vampire did not cease. A patient from a hospital in Surrey was found covered in blood in the Cemetery, his throat opened by something unknown. The drained carcasses of animals were still found.
Manchester’s researches revealed that Ashurst House, which had stood on the site, had also had a reputation. In the 18th Century the house had been sold to a mysterious gentleman from the Continent. Afterwards there were reports of strange figures in the area. In 1812 the house became a girls’ school and there were persistent rumours of a tall, grey figure seen hovering in the moonlight above the overgrown garden. In 1830 the house was demolished and the church of St Michael (that angel who vanquishes the Beast in the Book of Revelations) built on the church. The grounds were sold to the London Cemetery Company.
In 1973, rumours began to surface that an old house in nearby Hornsey had become the abode of something evil. In there, Manchester found the vampire he thought he had seen the last of when he had its tomb bricked up. This time there were no doubts or distractions. With his companions he lifted the lid of the coffin and readied his wooden stake.
“’In God’s name strike!’ cried Arthur.
With a mighty blow I drove the sharpened point through the creature’s heart, then shielded my ears as a terrible roar rose from the bowels of hell. This died away as suddenly as it had erupted and we all became still. We witnessed the body-shell cave in and quickly turn filthy brown which soon became a sluggish flow of inhuman slime and viscera in the bottom of the coffin.”
As far as Bishop Manchester is concerned, that was the end of the vampire
Morality. I have been making the point that reality is relative: all things are true and real to a greater or lesser extent (including this statement). That means some things are very true (but not completely so) like saying someone hit by a car going fast will be injured, and some things are not very true at all (but contain a glimmer of it) such as saying the earth is flat. Where does this leave us with morality? Could it be right in some circumstances to desecrate graves and damage a site such as Highgate Cemetery highly regarded for its cultural, aesthetic and natural importance? In some circumstances maybe, but none that I can realistically foresee.
If you such for Ethics and Morality on the internet you may come across a site called Ethics, Morality, Evolution, Genetics, Culture and Education. The stringing of such things together gives me a shudder; making me think of eugenics and Nazis. However, the author set out his stall:
A basis for proper (moral, ethical) human behavior must be determined without reference to opinion, conjecture, spirituality, imagination, philosophy, political ideology or any other form of dogma since these have no real foundation, are inconsistent, and cannot uniformly satisfy the needs of the human. Real (factual, scientific) knowledge is consistent and has real basis. If the human is to survive, the real knowledge uncovered in the sciences must be used as a basis for a uniform human ethical and moral behavioral system, thereby freeing the human for full attention to species survival.
You will recall that most moral systems have been based on spirituality, philosophy or political ideology, so this is a big, but not unique, proposal. The trouble is to my mind, science is a method not a set of beliefs. Scientific method may uncover facts which lead us to build up a belief system, but science is not a body of facts itself. The scientific method works well and the key to it, as Karl Popper laid out, is that we need to draw up hypotheses and then test them. The key thing about something being scientific is it must be able to be tested. Popper calls this falsifiability. The claims of some so called sciences cannot be tested. These include astrology, psychoanalysis and evolution. It is not that these three fields of knowledge are incorrect or ‘wrong’, just that their claims cannot be tested and therefore they are not scientific. For example, it might be said that men prefer to sit with their backs to a wall facing the door. That could be tested. Then an evolutionary psychologist might hypothesise that this is because men have evolved to be wary of attack. This cannot be tested. It might be true, but it cannot be scientifically shown to be true.
Back to the website. Skipping to the end it says:
The ethics and morality of a given human behavior may be evaluated in terms of the effect of the action with respect to the survivability of life, the species and the individual, in that order.
So, the basis of determining whether something is moral depends on how it helps the survival of the race, I mean species. Who decides what action will help that? As Nils Bohr said, “prediction is very difficult, especially if it’s about the future.” Does it mean that killing the disabled is moral? I think it does, and that is why I would ditch such morality based on reactionary political ideas masquerading as the clear white light of science. Mary Midgeley’s book Evolution as a Religion is a really worthwhile read on this.
Morality for me is an agreement between a community of people. And blow me if good old democracy isn’t the best vehicle for this. So we can make a stand and say the desecration of Highgate Cemetery is wrong and we do have a right as a society to say that those who do defile it should be punished. So, please do visit the Cemetery. But don’t harm it.
Chapter 3. Central London
Bloomsbury is an area I know well, as I used to work on Gower Street. In my luchtimes, I sometimes went down to the British Museum. If I was to go with you now there are a number of things I would point out based on my personal interests. Firstly the Assyrian sculpture which is awesome. Then I’d take you to the galleries dealing with the Renaissance. Here I’m particularly interested in the artefacts associated with the famous English mathematician, astronomer, cartographer and magician, Dr John Dee. Dr Dee was an adviser of Elizabeth I. He was much possessed with a desire to gain secret knowledge, both, I think to aid his own spiritual development, but also to help further the growth of English power, and perhaps most of all because he wanted to know. Here at the British Museum are his “shew stone” a crystal ball. Apart from on very few occasions, Dee himself did not see anything, but relied upon a seer to relate to him the doings and words of the spirits with whom they were in contact. This was mainly, and most fruitfully, through Sir Edward Kelly (he was knighted by the Holy Roman Emperor in Prague, not by the English queen). The angels passed to Dee and Kelly a strange language called Enochian, after the Prophet Enoch. You will recall that Enoch was taken up into Heaven without dying. The only man ever given the privilege. It is said that the Enochian language is the key to powerful magick. Also here at the British Museum is Dee’s arcane wax Sigillum Dei
upon which he crystal ball was placed. It should be said the Dee was a devout, if unorthodox Christian. The Inquisition did invite him to Rome, but he declined, unlike the Italian Mage Giordano Bruno who was burned alive by the Pope’s men.
The British Museum is brightly lit and there are lots of Japanese and European teenagers. Not that those things are bad, at one point I was one myself. But they do kill the atmosphere rather.
We should go upstairs and see the mummies.
London is full of ghosts, but the best supernatural story hereabouts concerns a mummy’s curse. On the first floor of the British Museum are various rooms devoted to artefacts from ancient Egypt. There are a number of mummies and sarcophagi on display but the one in question is numbered 22542 and listed as a mummy case for an unknown singer to the god Amon Ra. The case is covered in hieroglyphs and has a portrait of a very beautiful young girl.
The story begins in the 1880s when some English tourists in Egypt bought the case in Thebes from a local trader. He didn’t say where he’d got it but grave robbing was very common in those times to supply demand from Westerners keen to have something of Egypt’s history. From the day the mummy case was purchased, accidents started to happen. The new owner was injured in a hunting accident the next day. After that one of the Englishmen in the party mysteriously vanished, never to be seen again. The owner of the mummy case had to have his arm amputated after the accident and believing his bad luck to have come from the mummy case he sold it to a dealer in Cairo. Three people bought it after that and all of them died shortly afterwards, but not before it had been shipped to London. It was bought by a collector, but a friend of the collector was psychic and felt great evil emanating from the coffin. He warned the man to get rid of it or it would kill him. The collector took heed of this and sold it on. The new owner decided to have it photographed professionally, but the photographer unexpectedly died the day afterwards. Once the pictures were developed, instead of the beautiful girl on the case, they showed an ugly old woman – her eyes filled with evil. The owner sold it to a lady and on its first night in the house, all of her pet animals died and every piece of glass was smashed. She herself fell into a strange sleeping sickness that couldn’t be diagnosed by her doctor. When she gave the case away she, just as suddenly, got well again.
The British Museum obtained the case in 1889, and as the porters carried it in, one of them fell and broke his leg and the other died a few days afterwards. The mummy case got certain notoriety and people came from far and wide. However, nobody was able to sketch it accurately. The security men became terrified to patrol the room at night and claimed that they were followed by an invisible and horrible presence. One of them actually saw it – a thing with a wrinkled yellow-green face. A photographer allegedly killed himself after seeing the photographs of the mummy case develop. All together, thirteen people were supposed to have been killed by the cursed mummy case.
J A Brooks recounts that in 1921 two young men took part in a secret exorcism of the case. They said that the spirit had the face of a jellyfish as it leered at them out of the case. They said that the spirit was a guardian of the case that had been evoked by powerful magical hieroglyphs on the mummy case because the body had been defiled. Luckily, the exorcism worked and the evil spirit was banished.
Underneath the British Museum is an old underground station. This station is a ghost itself. It closed to passengers in 1933. Before that there were strong rumours that it was haunted. The ghost was said to be an Ancient Egyptian, dressed appropriately for his time and culture. He used to be seen by late night passengers coming through the walls, apparently from the Museum itself. A newspaper offered a reward to anyone who would spend the night there. However, no one took this up.
The next station along from the British Museum, one that is still operating is Holborn. One night in 1935 two women disappeared from the platform. Scratches and blood trails were found on the walls of the closed station when a search was undertaken to see whether they had walked down the line for some reason. Drivers reported seeing things in the tunnel, but the story was eventually closed down by London Underground. It is possible that the rumour of a tunnel from the Egyptian room to the platform is true. And that London Underground conspired with the Black Magicians who used that for their devilish rituals. Is it not likely that the management of London Underground and that of the British Museum were mostly members of this occult society and that is why they closed the station down in the first place? Perhaps the rumours started because a gang of navvies was entombed here while building the line. One version (in a 1974 film Death Line) had it that they had become a voracious troop of flesh eating zombies who went out at night to hunt along the underground lines.
The virtue of Malkuth is discrimination, which is a useful mental habit when surrounded by the whirling of the Phantasmagoria.
Eventually the story was hushed up as London Underground has always denied the existence of the tunnel from the station to the Egyptian Room.
Just outside the British Museum is Blooms Hotel. This hotel is an elegant town house, part of an 18th Century Terrace, just round the corner from the world famous British Museum. The bedrooms are furnished in the Regency Style and there is a lovely garden terrace and a library for the use of guests. The hotel is approached up a few stairs onto a chequerboard black and white marble porch between stately iron railings. You get the impression you are arriving somewhere rather classy, and the interior decoration bears this out.
A frequent visitor to the Blooms Hotel is an American businesswoman called Sara Reed. On one of her early visits she stayed in Room 1 and as soon as she entered the room she became aware of a presence. She could not see it, but strongly sensed that there was a man sitting in the chair in the room. She felt that he was a thinker and that he was sitting there musing on something or other. She mentioned it to the manager at that time and he confirmed that there was talk of a ghost in the hotel. However, Room 1 is quite new and is part of an extension added to the hotel where the old garden used to be. Sara got the impression that the ghost was somehow sitting in the sunshine, perhaps enjoying a break from a stint in the nearby British Library Reading Room, that famous place frequented by such historical figures as George Bernard Shaw and Karl Marx. The ghost is completely harmless, not overly friendly, actually more or less oblivious to what’s going on around him. Still she doesn’t like leaving anything on the chair, which one again is quite modern, because it’s his chair.
Sara got in touch with a clairvoyant, Paul Hughes who came with her to the hotel. When I spoke to Paul he said that when he walked into the hotel’s bar, he got the feeling of claustrophobia – the place was crowded with spirits. Paul’s theory is that because the building adjoins the British Museum, it almost acts as an exit point for all the spirits of the people and artefacts, Egyptian, Greek, Assyrian, that fill the Museum next door. Perhaps because of its proximity to the British Museum and the obvious attraction of that place to would be students of religion and magic, this part of Bloomsbury does have some interesting shops. The most long standing of them is the Atlantis Bookshop on Museum Street founded in 1922 which is supposed to have its own ghost.
I remember Skoob Books there which also had esoteric and occult stock. It has moved now to nearby Sicilian Arcade. Atlantis is still a favourite London stop off for witches and magicians, as it was in Aleister Crowley’s day. The Great Beast 666 was avoided there by his one time acolyte, the poet Victor Neuberg, after their adventure in the desert where, using the Enochian magic of Dr Dee, Crowley invoked the demon Chorozon and attempted to kill Neuberg. Neuberg, was physically and emotionally drained by the experience so Crowley abandoned him in Algeria. Crowley, though a genius, and an extremely witty writer, was not always compassionate. This was one of his haunts at one time and he used to drink in the at the Plough on Museum Street. The same street the Atlantis Bookshop is on.
Near here also is St George’s church, between Museum Street and Bury Place. Even before I knew anything about Nicholas Hawksmoor, I felt that the back of this church, dark and sooty with large unkempt trees as it was then, had some kind of aura. In fact in later years I saw that people had chalked magickal sigils on the walls hereabouts as if they too recognised this place as a focus of some kind of energy. The church was shown in Hogarth’s famous sketch ‘Gin Lane’ depicting drunks lolling around outside. It was built by Nicholas Hawksmoor between 1720 and 1730. Hawksmoor built a series of churches all across London. The novelist Peter Ackroyd in his 1985 book Hawksmoor suggested that these spots radiated some kind of baleful power that drew people to commit crimes and horrors there. It has even been said that Hawksmoor’s churches if plotted out describe a pentagram across the map of London.
The historian Ronald Hutton gives a useful and clear history of the pentagram. Who is to say whether he has the truth, however it does seem that his clear historian’s method and discernment have made these facts less ambiguous and more real, as if his attention to detail has beaten back the mists of Phantasmagoria that usually engulf any treatment of pentagrams.
Hutton says that five pointed stars are found in Egyptian, Roman and Greek art, but that they are probably merely decorative. In the 12th Century Renaissance the form was a symbol of the interplay of mathematics, nature and divinity. The pentagram with its five points replicates the human body (think of that drawing by Leonardo Da Vinci). The pentagram then is the symbol of mankind. The pentagram became associated with Solomon the Wise who bound the 72 wicked demons. In the Middle Ages Magicians keen to free these demons to run errands for them would employ Solomon’s pentagram to threaten and bind them to their will. Though initially used as a Christian symbol, representing the five wounds of Christ, and thus also apotropaic, it began to become more associated with demonism. In the 19th Century the French Magus Alphonse Levi ascribed the traditional elements to each of the points.
So, upright, the pentagram is protective and symbolises Spirit at the top. That is seen traditionally the best way to be and represents in a sense the Spiritual Hierarchy with the good God at the top. Now, the inverted pentagram represents the opposite, Spirit is no longer at the top but is dominated by matter, particularly by the heavy and sensuous earth and the passionate uncontrolled fire. This has been seen as representing the domination of the Devil. However, Crowley saw it as a celebration of the material world. He, and Carl Jung (though not together) believed that Western Christianity had over emphasised the spiritual and denigrated the material, so a turn around was historically necessary. Is this what is behind the growth of Science and Ecology which worship the material world and think little of the spiritual? Jung thought so.
When seen inverted in the symbology of American metal bands, it appears to be a youthful protest against the Christianity they have been brought up with. I was amused by a fan review (“my great list of amazing bands that are awesome”) of the band Arsis which said “For an american melodic death metal band, these guys can sure play. Unfortunately they lack variety in their music (it basically varies between intense and brutal)” I went on to buy the album on the basis of that review, though perhaps I am getting old and cynical.
But back to Hawksmoor. For a lovely treatment of the pentagram motif see Wolfey’s piece London Khoragraphic. It seems that Ackroyd was partly inspired to write Hawksmoor by Ian Sinclair’s poem Lud Heat.
“St George, Bloomsbury, and St Alfege, Greenwich, make up the major pentacle-star [he has already mentioned Christ Church, St George-in-the-East, and St Anne, Limehouse]. The five card is reversed, beggars in snow pass under the lit church window; the judgement is ‘disorder, chaos, ruin, discord, profligacy’. These churches guard or mark, rest upon, two major sources of occult power: The British Museum and Greenwich Observatory. The locked cellar of words, the repository of stolen fires and symbols…”
The image evoked here is that of the Five of Pentacles, the picture that illustrates A. E Waite’s version of the Tarot Pack. Waite himself was of course a key member of the Order of the Golden Dawn which operated in London in the late 19th and early 20th Century of which also Crowley and the poet W. B Yeats were members. (Although they loathed each other.). The five pointed star is drawn over London by Alan Moore in his graphic novel From Hell which is the story of Jack the Ripper. As Wolfey comments.
“as the figure of the pentagram is traced onto central London, its points being the locations significant in From Hell’s version of the Ripper murders of 1888. The sites connected by the points of the pentagram and through which they pass pertain to other histories, to specific events irrelevant to the murder and dismemberment of five prostitutes in the East End of London; an occult figure thus emerges…”
We will have to return to the Ripper later. There was a theory that the idea of the pentagram traced by Hawksmoor’s Churches originated with the Hermetic Brotherhood of Luxor, a Victorian society active in Paris and London which taught and practised magic.
Not too far from here, to the east, is Chancery Lane. The young Aleister Crowley rented a flat here at 67/69 when he came down from Cambridge, signing the lease in the name of Count Vladimir Svareff. The flat became a hive of magickal activity. In his biography of Crowley A Magickal Life, Martin Booth recounts
The flat, not surprisingly, contained malevolent as well as benign forces. Crowley recorded leaving the flat one evening with Jones while the air was still vibrant with forces they had conjured up. As they went down to the street, they noticed semi-solid shadows on the stairs. When they returned later, they met a black cat on the stairs, found the door to the flat open, the furniture in disarray and semi-materialised beings marching round the room. It was then, as Crowley recorded in an essay, ‘the fun began! Round and round the big library tramped the devils all the evening, an endless procession; 316 of them we counted, described, named, and put down in a book. It was the most awesome and ghastly experience I had known.’ Visitors to the apartment were said to feel dizzy on entering. When Crowley finally vacated the flat, the removal men were reported to have been overcome. It was some time before the landlord could find a new tenant.
Peter Bushell mentions that at 53 Chancery Lane is the Safe Deposit Company. It was bombed during the Second World War and and the firm’s records were destroyed. That meant that no one knew who owned which box. The company opened them in an attempt to find out and discovered some strange things. According to Bushell
“One box contained nothing but a pair of Victorian knickers labelled ‘my life’s undoing’. A second held a penny and a curl of hair. In a third was a packet of six live bullets. Written on the front in a faded, crabbed hand were the words: ‘one for each of the directors.’”
Walking down Chancery Lane you will come to Fleet Street. Beneath the ground here is the lost River Fleet. It rises at a spring up on Hampstead Heath, goes through Highgate and Hampstead ponds and eventually flows into the Thames at Blackfriars Bridge. The lower reaches of the Fleet were a slum area and most of the prisons were here, including Newgate Gaol. Dick Turpin used to live here.
On Fleet Street is the famous old pub The Cheshire Cheese which dates back to 1538 and was rebuilt after the Great Fire of London in 1666. It is dimly lit, full of low beams and bare wood. There are blazing fires and the beer is dark and flat. My American guests have always liked it (though not the beer) and we usually have a joke about how it was rebuilt in 1666. I’ve come here because of the atmosphere and because I thought you might be tired after all the walking.
George Augustus Sala described the Cheese as:
“… a little lop-sided, wedged up house, that always reminds you, structurally, of a high-shouldered man with his hands in his pockets. It is full of holes and corners and cupboards and sharp turnings; and in ascending the stairs to the tiny smoking-room you must tread cautiously, if you would not wish to be triped up by plates and dishes, momentarily deposited there by furious waiters. The waiters at the ‘Cheese’ are always furious.”
I must say they have always been nice to me.
Over the road is the Temple. This is now full of lawyers. It is a quiet and atmospheric place. The entrance is through Middle Temple Lane. Peter Bushell describes it as a rather sinister thoroughfare, especially at dusk.” It is haunted, you see. nu the ghost of a long dead barrister who is seen with a bundle of papers under his arm and his gown flying out behind him. Bushell suspects the ghost might be that of Peter Saward, or Peter the Penman a genius at forgery. Though a barrister, his desire for money led him to augment his fees through forgery and fencing stolen goods.
The Temple was also home to a suspect Jack the Ripper. Of course there are many of these, but this one was a barrister called Montagu John Druitt. Previously he had practised as a surgeon. He was said to be a wild-eyed man with an aura of cruelty and sexuality. In 1888 he filled his pockets with stones and jumped into the Thames. The police suspected him for a while of be responsible for the Ripper Murders.
The area is called the Temple because the complex was the headquarters of the Knights Templar in the Middle Ages. Now everyone knows that the Templars were a secret occult society, despite pretending to be an order of Christian knights like the Hospitallers. Their headquarters in Jerusalem were the ruins of the Temple of Solomon, he who imprisoned the 72 demons through the power of his magic. It is said, by those who know this, that the Templars were ferreting around in the basement of the old Temple where they found some of Solomon’s wisdom. From then on they practised magic and that magic descended in an unbroken line of quasi apostolic succession through the Rosicrucians, Freemasons, the Illuminati, the Golden Dawn, and ultimately to me, through self-help books I have bought on the Internet.
In any case they built a lovely peaceful church here in 1185. It survived more or less intact until hit by German bombers in 1941. The biggest thing then to happen to the church was that it featured in Dan Brown’s Da Vinci code as one of the places the hero has to visit to find clues to the Holy Grail.
On page 286, we hear the following truth:
“I’m not surprised,” Teabing said. “The church is hidden now behind much larger buildings. Few people even know it’s there. Eerie old place. The architecture is pagan to the core.”
Sophie looked surprised. “Pagan?”
“Pantheonically pagan!” Teabing exclaimed. “The church is round. The Templars ignored the traditional Christian cruciform layout and built a perfectly circular church in honor of the sun.” His eyebrows did a devilish dance. “
However, I am bored of the Templars. Not so bored however of Spring Heeled Jack, who haunts my imagination. Spring Heeled Jack first appeared in London in the 1837 (though there are reports of a strange leaping creature in London going back at least to 1817). In September 1837 a businessman was surprised by a figure in black who leaped over the tall railings of a cemetery. Later that year, Polly Adams was attacked by a tall thin man enveloped in a black cloak and carrying what looked like a bull’s eye lantern. With one bound he was in front of her and before she had a chance to move he belched blue flames from his mouth into her face. Jack attacked Mary Stevens in October 1837 on Clapham Common. He grabbed her with metallic arms and began to kiss her face. His mouth was cold and clammy ‘as a corpse’. She screamed and he fled. The very next day Jack leapt onto a moving carriage, causing the driver to lose control and crash. Jack leapt away unharmed. A few days after this, Jack attacked a woman in Clapham Churchyard. The police found footprints three inches deep as if he had landed from a great height. Curious imprints were found in the marks, as if the attacker had been wearing some kind of compressed springs under his shoes.
In February 1838, he attacked Lucy Scales who was walking home with her sister along a dark street in Limehouse. As they passed Green Dragon Alley, a tall cloaked figure bounded out of the shadows at them. He spat blue flames into Lucy’s face to blind her but as she lay in terror on the ground, Jack turned around and melted back into the shadows.
Jane Alsop was attacked in her own house. One night she heard a knocking on the door and a man in a black cloak said that he needed a light as they had caught Spring Heeled Jack in a nearby alley. Jane turned and went to get a candle. When he got the candle he threw off his black cloak. He set the flame against his breast. In the light she says he presented a most hideous and frightful appearance. He vomited forth a quantity of blue flame from his mouth and his eyes resembled balls of red fire.
Jane Alsop said that Jack appeared to wear something like a large helmet and to be wearing clothes of some tight fitting white material. He grabbed her and began tearing at her dress with what his apparently metallic claws. When she screamed her sister came to help her but her sister was so appalled by Jack’s bizarre appearance that she wouldn’t go near him. The third sister then appeared and dragged Jane from the demon’s grip. As this all happened on the doorstep, the sister was able to slam the door shut. Most unlike an ordinary mugger, Jack then proceeded to knock on the door as if to say “I haven’t finished with you yet!”.
London went into a panic. Vigilante committees were formed. Among them were the Duke of Wellington, and Admiral Codrington, the former of which set out on horseback every night with his trusty pistols to try and bring Spring-Heeled Jack to justice.
Jack was then seen on a church, climbing a spire. After showing his face, Jack leapt into the darkness. He was also said to have been seen in the Tower of London.
It was said that Jack had cloven hooves and horns and that he was the son of the Devil. In February 1838 he appeared in Limehouse breathing his characteristic blue flames. Also in 1838 he attacked a prostitute in Bermondsey and threw her into the water. He would escape in huge bounds, earning him his nickname. He was never caught. He was seen around England throughout the 19th Century. In the 290th Century he was seen in Liverpool in 1904, in rural Herefordshire in the 1940s and I met a woman who had seen a man in a tight black suit vomiting blue flame in Dovenby in Cumbria in the 1970s.
But who was he: a circus performer; an alien; a time-traveller; a demon? All these shadowy creatures come only rarely into the clear light of day. Is Jack a figure from the Unconscious? The children of the Unconscious have one thing in common – they cannot be pinned down, they change continually. You may think you dream of a swimming pool to find it becomes a sea then a river, then a snake. So with Spring Heeled Jack, ghosts, electrons, Dark Matter and the like: all are the joking face of Mercurius. Patrick Harpur in The Philosopher’s Secret Fire. p 57 says
“If I may recapitulate for a moment: daimons inhabit another, often subterranean world which fleetingly interacts with ours. They are both material and immaterial, both there and not-there – often small, always elusive shape-shifters whose world is characterized by distortions of time and space and, above all, by an intrinsic uncertainty.”
Peter Ackroyd mentions the London Stone. It is on Canon Street, opposite the station set behind a grill in the wall of the Overseas Chinese Banking Corporation at number 111. It is two feet high with two grooves on the uppermost side. Mythology suggests that Britain was founded by Brutus, fleeing from the ruin of Troy. Brutus is said to have left this stone here and as long as it is safe, so too shall London be. The stone is first mentioned in a 10th Century Anglo-Saxon source. By 1198 it was a tourist attraction. It was moved and embedded in the wall of St Swithin’s Church, which stood on this site, in 1742. The church was destroyed in a German raid in 1941, but the stone was unharmed. I presume the Bank of China was built around it. Ackroyd notes that in 1540 the rebel Jack Cade went to the London Stone and touched it with his sword to proclaim himself lord of London. It is said that this stone is the heart of London, and even that this stone was the symbolic heart of the Island of Britain from which all measurements were made by the Romans. It is also said to lie on a significant, and mysterious, ley line.
There are a number of things that can be said about this Stone. Firstly, it is clearly an omphalos (Greek for navel) or a magical monument that marks the centre of the world. For the Greeks, the omphalos, often marked by a sacred stone, was a place that offered direct communication with the gods. The important omphalos for the Greeks was Delphi, where the oracle to Apollo operated. Jerusalem functioned as the omphalos of Christendom in the Middle Ages as maps marking it as the centre of the world show. I would guess that the London Stone is pre-Christian, possibly prehistoric. It has parallels with the Lia Fáil (Stone of Destiny) at Tara, which marked the centre of Ireland and which cried when a true and just king stood on it. A similar stone The Stone of Scone (also Lia Fáil in Gaelic) was used to crown the kings of Scotland. The Clochmabestane on the Solway Firth was an ancient stone used as a meeting place between the Scots and English and the Menneting Stone in the Lake District (probably Cumbric/Welsh maen y twng ‘The Oath Stone’) also seemed to be used for this purpose.
The fact that this sacred symbol is a stone also has its resonances. Jung in Aion refers to the Stone as a symbol of the Self. Jung’s idea of the Stone as representing our innermost reality (or one version of it) derives in part from the Alchemists fascination with the lapis philosophorum ‘The Stone of the Wise’. The lapis (Greek for stone) was said to give eternal life. Jung sees it as representing that non-human part of us, which however is central to our being. This reality is transcendental in that though it is in us and it is from us that we derive our existence the Stone or Self is beyond us and wholly non-human. In that sense it represents that part of us that will live forever. The mystical quest of the Jungian is to incorporate some understanding of this into his or her life, though the Stone is so alien that it is impossible to understand fully it and live. This brings us round to the Prophet Enoch again of course, who is the only man to have been taken up to Heaven without dying. In that sense he was incorporated into the Stone.
I once had a dream of a meteorite falling from heaven and lying, radiating in a desolate forest. It was poisonous but fascinating; wholly alien yet part of me. The paradox is that the Stone is deadly but gives life: it validates and valorizes us here on Earth: hence the symbolism of the rightful king. Jung sees all these images and processes as being mostly unconscious. We are not aware of them, we might even ridicule them, they are paradoxical and thus incomprehensible, but they go on within us willy-nilly.
To the West of Cannon Street, past St Paul’s is Amen Corner. This area was just outside the walls of the City of London. There was a prison here from the 12th Century. It was rebuilt a number of times. The site was razed during the Great Fire of London in 1666 and both the prison and the Old Bailey court were rebuilt in 1672. It was a foul place with poor water and ventilation. The stench was appalling and the prison was racked by successive outbreaks of gaol fever a particularly virulent form of typhoid. Bullying, robbery and murder were commonplace inside the prison. Henry Fielding considered that Hell must be very much like Newgate Prison. The Press Yard was where prisoners who refused to plead were pressed to death. The Gordon Rioters in 1780 attacked the prison and demanded the the prisoners within be released.
The Old Bailey, the UK’s Central Criminal Court still stands here though the prison itself was demolished in 1902. There was public scaffold outside the Old Bailey which was a family day out until public hanging was stopped in 1868. Prisoners were thereafter hanged within the prison itself.
Nearby is Amen Court, a very pleasant nook with lovely houses where the Dean and Chapter of St Paul’s Cathedral live. At the rear of the court, behind the bushes, there looms a large and ominous dark wall which belonged to Newgate Prison.On the other side of the wall is a narrow passage called ‘Deadman’s Walk’ which prisoners used on their way to execution. After they were killed they were buried there. It seems that this negative energy might be behind the many sightings of the Black Dog of Newgate. Though called a dog the apparition is generally reported as being shapeless, a dark form of slithering energy that slides around the courtyard accompanied by the foul odour of decay. There is also said to be the sound of dragging footsteps. There is also a story that the Black Dog might date back to the Middle Ages when the prisoners of Newgate began to eat one another. The prisoners picked on a fat man imprisoned for sorcery. However it is said that he conjured a demonic dog with eyes of fire and bloody fangs. It tore the prisoners limb from limb.
Given that there were so many fresh corpses at Newgate, the Royal College of Surgeons was originally here too. It was here that William Harvey demonstrated the circulation of blood. Body snatching was of course a big problem until the Anatomy Act of 1832 requisitioned the corpses of paupers. The poor had no peace even in death it seems.
Ludgate. Peter Ackroyd, p. 11-13. King Lud. The three sacred mazes at Pentonhill, Tothill, Tower Hill / White Mound. Ravens Hermes Street, Pentonville Road. P18. The London Stone..
16 Queensberrry Place, College of Psychic Studies: the human personality survives death. 33 Belgrave Square. Spiritualist Association of GB.
You will no doubt find that many of the things mentioned here, if not most of them, strike you as being untrue.
East End – the Ripper. St Thomas Operating Theatre. Hampstead. Highgate cemetery.. Tower of London. Hawksmoor. Crowley. Golden Dawn
MacKenzie Poltergeist. Underground City. Old Town. Brodie Innes and the Golden Dawn. Burke and Hare
Versailles. Catacombs. Opera.
Bruges La Morte
Castle. Students. Witches. Alchemists.
Klimt, Freud. Stefansdom
Dee and Kelly. Czech Alchemists. The Prague Ghosts. Kafka. Meyrink
Wawel. Carmeltie Mummies. Dee and Kelly. Ghosts.
The Palazzo. Ghost stories. Italian Witches. Aradia. Don’t look now